Par BLANKEN JOHN. John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every br…

Par BLANKEN JOHN. John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every br…

Chansons celtiques pour le ténor Banjo est une collection passionnante tirée des six nations celtiques de l'Irlande, Ecosse, Pays de Galles, Cornouailles, Bretagne et l'île de Man, tous soigneusement disposés pour Tenor Banjo.Chaque chanson traditionnelle est à la fois sous forme de notes et tablature avec les symboles d'accord et des diagrammes qui sont grandes et faciles à lire. Paroles et verse…

Tous les livres dans le bois de Boosey et méthode de laiton contient une grande variété de solo et ensemble musique ensemble flexible adapté pour n'importe quel nombre de joueurs dans les groupes mixtes instrument, audio CD avec des spectacles, sauvegarde des pistes et l'écoute des activités, se sentant les activités rythmique, les exercices de respiration, les activités musicales, qui comprennent…

La bibliothèque vocale. Arrangements belles, douce, artistiques qui véritablement rendre art chansons de chants de Noël. CD d'accompagnement comprend des représentations complètes ainsi que des accompagnements. Comprend huit solos et deux duos, avec quatre les cantiques exigeant la flûte ou violon obligée. / Voix / 88 pages / Partition + Cd

Par D\'ADAMO DANIEL. ?Quatuor n°2? was first performed by the Tana string quartet on April 14, 2013, at Radio France, Paris. ?I conceived a piece whose principal subject was going to consist in the description of a minuscule sonic element. The description of this tiny initial material would be so precise, so detailed that, deployed on a much larger scale than its original one, it would occupy the …

Luisa Fernanda Placido Domingo, Nancy Herrera, Jose Bros, Mariola Cantarero... Orchestra of the Teatro Real Jose Lopez Cobos mise en scène : Emilio Sagi

Enjoy learning and playing the best of today's pop with 20 chart-topping songs, all arranged for voice and piano with guitar chord boxes./ Recueil / Piano, Chant et Guitare

In this, his first volume of sheet music, Peter Broderick collects 20 works for solo piano alongside exclusive new recordings. Taken from his piano-led records such as Docile, Float, How They Are, Partners and Grunewald, some are original solo works while others have been stripped back and arranged for solo piano for the first time. The collection also includes the composer's performance and reper…

8 complete arrangements for AATTB saxophone section or mixed jazz combo. Substitute parts are included for the first alto (trumpet or flügelhorn) and for the second tenor (trombone). Piano, bass, and drum parts are completely written out, including piano voicings and rhythms, bass lines, and drum transcriptions. A carefully written, optional guitar part - which is not recorded on the enclosed CD -…

This series takes cellists through the process of learning to read the tenor clef in a step-by-step, structured approach.Complete with Cello part, pull-out piano accompaniment and CD. To read the higher notes it is necessary to use 5th, 6th, 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'. / Violoncelle Et Piano

Homage to Enric Granados. Par CASABLANCAS BENET. The present work was commissioned by the Foundation for Iberian Music (Graduate Center of the University of New York) as a tribute to Enric Granados on the occasion of the composer's centenary celebration in New York. The general character of the piece, in which the cantabile register dominates, responds faithfully to its title (A Song without Words…