Twelve Fantasias for Flute without Bass TWV 40:1-12 . Par TELEMANN GEORG PHILIPP. The Fantasias For Flute Without Bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of the…

Sir Duke - I Wish - Don't You Worry 'Bout A Thing - Superstition - Isn't She Lovely. / Répertoire / Concert Band

PARTITIONS POUR BASSE (SOLFÈGE ET TABLATURES) TITRES

Répertoire riche et varié par niveaux : jazz,variété, musique de fims, classique
Du répertoire tous styles pour piano, permettant de passer du jazz à la variété, de la variété au classique, en passant par les airs traditionnels du monde entier ou la musique de film. Chaque pièce est accompagnée de commentaires techniques, biographiques et historiques. A partir de la troisième année.

Who can resist this all-time favorite fairy tale, told with fun and flair? Our acting troupe takes over the stage area, playing rhyming Narrators, singing Villagers, friendly Animals, charming Royalty, energetic Messengers, the haughty Stepmother and Stepsisters, the irresistible Fairy Godmother, and lovely Cinderella. Of course, once the charming Prince discovers the proper owner of that famous s…

Arr. Herman Oldenstijl. Par TRADITIONAL. This lovely Scottish hymn, also known as The Lord’s My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel …

Perfect for festival, and ever a favorite, this lovely transcription shares the surprise with a new generation of students! (4:30) / Orchestre A Cordes

This version of David of the White Rock (Dafydd Y Garreg Wen) is for Voice SATB Unaccompanied and has words in both English and Welsh and rehearsal Piano line. The tune remains in the Soprano Voice with traditional and effective harmonization.Tradition has it that David Owain was a famous Welsh harpist of the 18th century who, on his deathbed, composed this lovely tune. Words were added a century …

This lovely French song by Reynaldo Hahn has been reimagined for treble choir by the arranger. A flowing piano accompaniment supports gorgeous vocal parts. A wonderful teaching piece. / Choeur SSA Et Piano

Picc/5Flutes/Alto/Bass. Par MOZART WOLFGANG AMADEUS. A lovely arrangement of a favorite opera overture. Instrumentation: Piccolo (doubles on C Flutes), 5 C Flutes, Alto Flute, Bass Flute/ Répertoire / Ensemble de Flûtes Traversières

A Welsh Folk Song Setting. Par CURNOW JAMES. Lovely and delicate, this familiar Welsh lullaby is simple yet strong, in a beautifully scored setting. This is a familiar folksong that has stood the test of time, and deservedly so, and will deeply move your audience, and many will remember the tune as used in the movie 'Empire Of The Sun. ' It's a wonderful choice for a tender moment in your program.…

Par ZUCKER LAUREL. The Honduras Sonata for flute and guitar was composed during a visit to Honduras by the composer. The sonata is in three movements: Pico Bonita, Copan Ruins, and Lovely Cotinga. The first movement was inspired by the jungle lodge (of the same name) where she visited. The Copan Ruins, in the far west of Honduras, are the remnants of the Copan civilization and give visitors a chan…

Par SHELTON MELVIN L.. Shifting harmonies in the stately but exciting opening introduce a lovely lyric theme. A gorgeous 8-measure Alto Sax solo (cued Tpt. ) brings in a second, extended lyric theme which gradually develops beautiful counterpoint reminiscent of a Romantic serenade. Melvin Shelton’s sensitive scoring makes this excellent concert and contest offering both accessible and worthwhile. …

Originally composed in 2011 for Anne Akiko Meyersa and her daughter Natalie, it was later orchestrated for Marin Alsop's 20th season at the Cabrillo Festival of Contemporary Music, and has been transcribed for band. This original version is accessible to musicians and audiences, yet extremely sensitive with its dramatic sonorities, the music is both soothing and subtle even as the tonality is stre…