Versions 1842 And 1850. Par SCHUMANN ROBERT. «Je voudrais chanter à pleine gorge comme un rossignol» . . . L’année 1840, «l’année du Lied» la plus créatrice de Schumann, est marquée par de profonds bouleversements privés. C’est seulement après un procès contre le père de Clara qu’il peut enfin l’épouser, au mois de septembre. «Le cycle d’Eichendorff est probablement le plus romantique de tous», di…

Des fastes du baroque à la grâce du classicisme jusqu'au souffle du romantisme, vous allez pouvoir faire revivre les oeuvres symphoniques les plus célèbres sous vos quatre mains.Tout en étant le plus fidèle possible à l'original, ces transcriptions se composent d'une partie de niveau élémentaire et d'une partie pour pianiste avancé, ce qui, je l'espère, permettra au plus grand nombre la découverte…

Recueil pour piano incluant les 20 nocturnes Op. 9, 15, 27, 32, 37, 48, 55, 62, 72, et le nocturne posthume en C-sharp Minor. Ainsi que les 11 polonaises Op. 26, 40, 44, 53, 61, 71, et la polonaise posthume en G-sharp Minor. Contenu :
Nocturne in B-flat Minor, Op. 9, No. 1
Nocturne in E-flat Major, Op. 9, No. 2
Nocturne in B Major, Op. 9, No. 3
Nocturne in F Major, Op.…

Le livre de cymbale est le premier ouvrage du genre. Il détaille les 5000 ans d'histoire et le développement de ces fascinants instruments. Basé sur les visites à toutes les entreprises de fabrication de cymbale majeurs et des entrevues avec des tambours de chef de file du monde, journaliste et le batteur Hugo Pinksterboer a créé un livre bien documenté et lisible, mettant en vedette plus de 200 p…

Pour Précéder La Péri. Par DUKAS PAUL. Paul Dukas (1865-1935) was a composer who had little self-confidence and was very self-critical. As a result of this he destroyed the manuscripts of all but seven large and five small works. Luckily kept what is now his best know composition, the symphonic scherzo L’apprenti sorcier (The Sorcerer’s Apprentice). He also came very close to destroying the manusc…

for String Quartet Score and Parts. Par HARTKE STEPHEN. THE FIFTH BOOK of the title refers to what Stephen Hartke considers his fifth book of madrigals, only two of which books are actually for voices, with the others being for string instruments. Hartke writes madrigals for string instruments due to their inherent singing quality, but also due to the fluid structural character of the madrigal as …

Pour Précéder La Péri. Par DUKAS PAUL. Paul Dukas (1865-1935) was a composer who had little self-confidence and was very self-critical. As a result of this he destroyed the manuscripts of all but seven large and five small works. Luckily kept what is now his best know composition, the symphonic scherzo L’apprenti sorcier (The Sorcerer’s Apprentice). He also came very close to destroying the manusc…

Par VAN DER ROOST JAN. Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melo…

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Musical Drama In Three Acts. Par HAENDEL GEORG FRIEDRICH. The composition “Semele”, which premiered in February 1744, does not correspond to the genre criteria of either opera or oratorio and thus belongs to a number of significant works by Handel that elude clear classification. The editor of this edition calls the work a “musical drama in three acts”. The secular material is borrowed from Greek …

Description Written by Charango masters Horacio Duran and Italo Pedrotti, this Charango Method is the first to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels. The method is comprised of two parts: A first section …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …