Par LIVINGSTONE ANGELA / MAXWELL DONALD. 25 popular works for baritone or bass voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Donald Maxwell and Angela Livingstone, and a digital version of the book to view on any device./ Recueil / Baryton ou Basse et Piano

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconven…

Par WILLIAMS ANTHONY. A compilation of the best Grade 4 piano pieces ever selected by the major examination boards. Selected and edited by Anthony Williams. Features the works of - Alcock - Bach - Benjamin - Chapple - Clementi - Granados - Haughton - Haydn - Heller - Hindemith - Hummel - Kabalevsky - Mozart - Rebikov - Scarlatti - Schumann - Swinstead./ Recueil / Piano

Par PART ARVO. This work was composed originally in 1992 for the Kalichstein-Laredo-Robinson-Trio on commission by the Helsinki Festival, where it was premiered. The piece is in memory of Oleg Kagan, who was a friend of Arvo Pärt's and one of Russia's leading violinists. Kagan had a special affinity with the music of Mozart and the composer memorialises the violinist by transcribing one of the mos…

Par WATKIN ANDREW. As the title suggests, Spanish Overture has a strong Spanish character. The music in this overture is full of quintessential Spanish colours. Following a fluid and spontaneous development which moves between major and minor keys, a slow passage with a calm and peaceful melodic line is presented. The finale of this passionate work recalls the initial theme now presented in all it…

Vol. Iv: Concerto Iv In G Major, Op. 2 N. 8/ Recueil / Violon Principal, 2 Violons, 2 Altos, Violoncelle

for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mo…

Par SIXT JOHANN AUGUST. No. 1 D Major/ Répertoire / Trio avec Piano

/ Piano, Clarinette (Ou Violon) Et Alto

Cette collection contient plus de pare-chocs 40 pièces composé et arrangé pour flûte et piano, couvrant cinq siècles de musique, avec une richesse de répertoire allant du baroque, classique et romantique, majoré de 10 morceaux originaux du XXe siècle commandées spécialement pour ce livre.Compilé par Trevor Wye pour accroître l'agrément joueurs de flûte et la connaissance de la musique de différent…

Né à Nuremberg en 1653, une génération avant Bach, Johann Pachelbel est l'un des plus importants compositeurs de musique d'orgue de l'Allemagne du Sud après la Réforme. Si ses compositions étaient déjà très répandues à l'époque, sa pièce la plus populaire reste aujourd'hui sans aucun doute le Canon et Gigue en Ré majeur. Le Canon - d'après la source 'a 3 Violinis con Basso c.' - est construit à pa…

Vol. I: Concerto I In F Major, Op. 2 N. 2/ Recueil / Violon Principal, 2 Violons, 2 Altos, Violoncelle

The mastery of scales and scale patterns has long been established as the best way to improve technical abilities on all instruments. The Complete Scale Compendium focuses on what is most common in the study of classical music: core major and minor scales, as well as chromatic, pentatonic, whole-tone, and blues scales. Students will learn the construction of these scales while practicing unique pa…

Three books in one! First, a music theory manual that describes the different types of twelve-bar blues forms (slow change, quick change, five chord blues, jazz blues, etc.) and presents them as both chord progressions and structural formulas. Second, an introduction and thorough study of 'rhythm? chords - the essential three-note voicings that every guitarist must know for accompanying small blue…

In 1887 Antonin Dvorak revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music critic Ludevit Prochazka to return a manuscript copy of the Piano Quintet in A major op. 5 (B 28), composed 15 years earlier. But after thoroughly revising the work he declined to publish it - instead, he wrote a new pian…