Porte partitions Format paysage: env. 208 x 150 mm 20 pochettes plastiques: env. 195 x 142 mm Porte-étiquette Reliure spirale En cuir artificiel Couleur: Noir / Star

Porte partitions Format portrait: env. 105 x 140 mm 25 pochettes plastiques: env. 90 x 138 mm Reliure spirale Matériau: Papier compressé verni (imperméable) Couleur: Noir / Star

Porte partitions Format portrait: env. 150 x 195 mm 25 pochettes plastiques: env. 138 x 192 mm Porte-étiquette Reliure spirale En cuir artificiel Couleur: Rouge / Star

Concert March. Par THINGNAES FRODE. This Concert March was written to honour Christer Johannessen, founder and leader Norwegian Military Tattoo from 1994 to 2014. The work, stylistically well known in relation to earlier works by the same composer, challenges most sections of the band. 'Mr. Tattoo' is a great concert march well suited for performances both outdoor and concert halls. / Date parutio…

An appealing and spirited march for your beginning band. While this piece uses only six notes, it maintains all of the excitement that a march should provide. Your students will stand tall as each section has the chance to present the melody. A strong sense of rhythm, catchy melody, and several dynamic changes provide for many teachable moments. (1:55) 'To the Fore? correlates to Book 1, Level 2 o…

Little Suite for Orchestra No. 1: Op 53. Par ARNOLD MALCOLM. Malcolm Arnold is one Britain’s best-loved composers. In 1948 he composed a very short suite for the National Youth Orchestra of Great Britain - entitled simply To Youth. Seven years later he took To Youth and made some fairly major revisions, including a complete new movement, and the Little Suite for Orchestra was born. The Little Suit…

Par VAN DER ROOST JAN. Minerva by Jan Van der Roost was composed on the commission of the German “Musikverein Braunshausen” on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march …

Arr. Philip Sparke. Par SOUSA JOHN PHILIP. What a way to open any concert. The Black Horse Troopis one of John Philip Sousa?s best known marches and was described by the great Frederick Fennell as ?a regimental march of classic content and proportions, one which serves as a model for all that are similar to it . . . ? Treat your band with this fantastic march. / Niveau : 3 / Marche / Répertoire…

Par DE HAAN JACOB. First Class est une collection qui, comme son nom le suggère, regroupe des publications pour les musiciens débutants. Dans First Class, une attention particulière est apportée au registre de chaque partie afin que le plus grand nombre d’instruments possible puisse jouer les différentes voix. De cette façon, presque toutes les combinaisons instrumentales sont réalisables : du Qua…

March of the Three Kings. Par HOSAY JAMES L.. A brilliant opener or a rousing finale! Either way, this is the piece that will make memories and stir your audience’s comments at your winter concert. A bravura exploration of the well-known 13th century melody March of the Three Kings (also arranged by Bizet as Farandole in L’Arlésienne ), the Fantasia On A 13th Century Carol will catch and hold ever…

Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the mu…