For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of…

for cello Cello Time Joggers is a landmark book in the popular Cello Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. / Violoncelle / Oxford University Press

Par KRUISBRINK ANNETTE. William Shakespeare (1564–1616) is regarded as the greatest writer England has ever produced. He wrote 154 sonnets. For her ‘Three Shakespeare Sonnets’, Annette Kruisbrink selected numbers 17, 40, and 66, setting them to music for voice and guitar. The original structure of Shakespeare’s sonnets, a fourteen-line poem made up of three quatrains, or sets of four lines, and on…

Par BOULANGER NADIA. Nadia Boulanger's Three Pieces for Viola and Piano Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ, her skill as a conductor (of vocal ensemble and orchestra) and most of all, her incredible charisma as a teacher. For nearly sixty years, 'Mademoiselle' made the most of her famous Wednesdays, bringing rigour and passion to the tra…

Par CLARKE JEREMIAH. Edited by John Harley CONTENTS Aire, T45C; An Aire, T451; An Ayre T452; Almand; The Bonny Gray Ey'd Morn, T363; Chacone, T420; Cibelle, T453; A New Cebell, T462; Come Sweet Lass, T336; A Farewell, T454; King James's Farewell, T457; Gavott, T455; Hornpipe, T456; The Country Mans Jigg, T342; Mdm. Subligny's Jigg, T458; A March, T433; The Prince of Denmark's March, T435; Prince E…

Edited by John HarleyCONTENTSAire, T45C; An Aire, T451; An Ayre T452; Almand; The Bonny Gray Ey'd Morn, T363; Chacone, T420; Cibelle, T453; A New Cebell, T462; Come Sweet Lass, T336; A Farewell, T454; King James'sFarewell, T457; Gavott, T455; Hornpipe, T456; The Country Mans Jigg, T342; Mdm. Subligny's Jigg, T458; A March, T433; The Prince of Denmark's March, T435; Prince Eugene's March, T436; The…

Par AUVINEN ANTTI. Antti Auvinen's Karkija for bass clarinet and marimba was a commission of Duo Xylokosmos. The work was premiered on 22 November 2007 by Ingolfur Vilhjalmsson (bass clarinet) and Tobias Kuttman (marimba) in Neumarkt, Austria. This product includes one performance score (B4 sized loose pages) in a folder. In the music of Antti Auvinen (b. 1974), a modernist compositional language …

The third volume of the Heifetz Collection is a treasure trove of material for violinists, including many items that have never been published before. Jascha Heifetz (1901-1987) remains a landmark among violinists of the twentieth century, a performer who virtually redefined the limits of the possible for his chosen instrument. These transcriptions and arrangements, made to enrich his own repertoi…

Par CARISSIMI GIACOMO. La Bibliothèque de Rochester, dans l'Etat de New-York, conserve sous la cote Vault M 1490 B 113 le manuscrit suivant: Recueil de Pièces choisies à une et deux flûtes C. Babel C. Babell 1698 Ces vingt-sept suites et sonates pour la flûte à bec, pour la plupart anglaises, ont été rassemblées par le bassoniste Charles Babell, dont l'activité est attestée de 1697 à 1714 au Que…

A travers 200 nouvelles histoires inédites, Laurent Charliot vous propose de découvrir dans ce deuxième tome de Rock Stories de nouveaux faits divers, drames, rumeurs ou petits potins qui ont forgé la légende du rock. Un livre où l?on découvre que, lors de sa première audition, Elvis Presley s?était vu conseillé de rester chauffeur plutôt que d?essayer d?être chanteur. Que la première chanson de l…

Par HINDSON MATTHEW. Matthew Hindson's Rush for guitar and string quartet takes its influence from the music of Felix Mendelssohn. The fast and technically challenging passages found in the final movement of the Mendelssohn String Octet influenced Hindson's decision to compose a work for the Goldner String Quartet that is highly virtuosic in nature. Hindson remarks, 'it is much more the spirit of …