Par BEETHOVEN LUDWIG VAN. Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that the composer invested so much of himself in it: his ailing health, the social isolation brought about by his deafness and the suicide attempt of his nephew Karl. In addition it…

24 Übertragungen aus Werken von J.S. Bach. Par BACH JOHANN SEBASTIAN. Our edition is based on Fritz Schindlers 24 transcriptions of works by Bach for flute solo from the year 1896. Long an essential part of every student flutists repertoire, this book features comprehensive studies in finger technique and stimulatingexercises in phrasing, articulation and dynamics thanks to the high musical qualit…

Up And Away is designed to enable the beginner to experience the satisfaction of performing with others from the very first lesson up to the time when the student has acquired enough skill to be able to perform confidently with a school band or orchestra. The twelve pieces are arranged in order of increasing difficulty - notes, rhythmic figures , dotted notes, ties, rests, dynamic markings, slurs …

Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for …

The French titles and tempo markings in this four-movement, twenty-minute-long trio point to the composer's particular affinity to French culture. The 'Prélude? is followed by an impressive 'Invocation?, an homage to Schlee's highly regarded former teacher Olivier Messiaen in commemoration of the 100th anniversary of his birth. This movement, composed somewhat earlier than the others, was the depa…

Edizione critica per Emy Bernecoli e Elia Andrea Corazza. Par RESPIGHI OTTORINO. The Sarabanda for violin and piano (P015a) is a short composition consisting of three pages dated 1897, published here for the first time. The original manuscript is part of the private archive of Potito Pedarra, cataloguer of Ottorino Respighi’s compositional legacy. Ottorino Respighi composed this work during his yo…

First-ever urtext edition of Bartók's Mikrokosmos - Volume 3 (comprises books 5 and 6 of the original edition) Béla Bartók's Mikrokosmos is one of the key works of 20th-century piano music. The repertoire comprises educational pieces 'from the very first beginning' as well as concert literature, thus making this work an indispensable companion to piano lessons. The work is now available for the f…

Par BACH JOHANN SEBASTIAN. All of Bach ’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition, reserving his own motet compositions …

Accès d'un an aux cours de piano en ligne (téléchargement) Le cours de piano music2me permet aussi bien aux débutants qu'aux joueurs avancés d'apprendre et d'améliorer leur jeu de piano petit à petit. Un cours bien pensé et pédagogiquement bien structuré qui facilite la pratique et accélère la progression de l'apprentissage grâce à des vidéos contenant de nombreuses informations complémentaires. …

Par AC / DC. A collection of all the music from two landmark albums, High Voltage and Let There Be Rock. Transcribed in standard notation and guitar tablature with full lyrics. Includes 'The Jack', 'Live Wire', 'Can I Sit Next To You Girl', 'Overdose' and 'Let There Be Rock'. / Niveau : Intermédiaire / Rép International / Tablatures / Guitare Tablatures

Ein Criminal in zwei Akten. Par SCHINDLER PETER. Alter: 8& 12 Jahre Dauer: ca. 90 min [je Akt ca. 45 min], Pause nach dem 1. Akt Lieder: 17, 3 Instrumentalstücke Besetzung: - 2 Chöre: 1& 3stg, zweite und dritte Gesangsstimme ad lib. - Soli: 9 - Sprechtextrollen: 14 - Sprecher: & - Gemeinde/Publikum: nein - Instrumente: Klavier [Bass, Schlagzeug, Gitarre ad lib. ] Inhalt Im Käsereich von Käsekönig …