Another addition to the hit series, making authentic folk music available in a flexible format suitable for teaching, busking and performance. Traditional music from Scandinavia - Denmark, Finland, Iceland, Norway, Sweden. Explore the rich variety of the Nordic tradition, from the Polish-influenced polska dances to a Norwegian Wedding Song. The Complete edition includes a violin part, keyboard acc…

Von Luis Fonsi bis Star Wars - Das ultimative Spielbuch für Klavier. Von Luis Fonsi bis Star Wars - Das ultimative Spielbuch f and uuml - r Klavier Der achte Band unserer beliebten Reihe Piano gefällt mir! enthält eine Auswahl von 50 aktuellen Charthits und Filmsongs. Alle Titel wurden von Hans-G and uuml - nter Heumann wie gewohnt leicht arrangiert und bieten ein unkompliziertes Spielvergn and uu…

Par HEUMANN HANS-GUNTER. For three boat trips of the King on the river Thames in 1715, 1717 and 1736 and for the peace celebrations marking the end of the Austrian war of succession (1741-1748) Georg Friedrich Handel (1685-1759) wrote the three suites of Water Music and the Fireworks music. These brilliant open-air works are now available in the popular 'Get to Know Classical Masterpieces' series.…

This landmark series collects compelling, useful, singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the four volumes has never before been available outside of the opera vocal scores, and some arias in the series have never been in print at all before now. Most arias are appropriate…

La Pièce de fantaisie pour clarinette et piano de Carl Nielsen est une oeuvre de jeunesse. À l'époque où il l'écrit, Nielsen n'a qu'entre seize et dix-huit ans et joue dans la fanfare militaire d'Odense, au Danemark. Cette miniature bipartite, qui tranche dans le répertoire pour clarinette par son mélange judicieux de lyrisme et d'écriture brillante, dénote une influence du style classique et roma…

'Something quite curious, I believe? - it was thus that Robert Schumann described the Concert Piece for four Horns and large orchestra in a letter, and he did indeed break new ground with this work as far as the scoring and treatment of the instruments was concerned. When it was composed in 1849, the French horn was still fairly new, enabling players to play previously unheard-of runs and free mod…

Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for Cello and Piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the Cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The…

Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for …

Simply Mozart is a collection of the most famous compositions by Wolfgang Amadeus Mozart. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. / Piano

Dvorák's 'Slavonic Rhapsodies? op. 45 were composed in 1878 and issued by the publisher Simrock, Berlin the following year. These three independent orchestral works (in D major, G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The 'Slavonic Rhapsody? op. 45/1 in D major now appears in an Urtext edition. The editor has made u…

Par SPINK IAN. Selected from Musica Britannica, Volume 33, edited by Ian Spink CONTENTS Wilt thou forgive the sin? D - G (John Hilton) Wilt Chloris cast her sun-bright eyes? G sharp - F (Simon Ives) Mark how the blushful morn D - G (Nicholas Lanier) Stay, silly heart, and do not break D - F (Nicholas Lanier) Bid me but live, and I will live G - F (Henry Lawes) No, no, fair heretic, it cannot be E …

Arrangeur: Mark Lonergan. Par BAY WILLIAM. Cette méthode pour l'auto-apprentissage se classe parmi les meilleurs méthodes guitare rock d'introduction disponibles. Les étudiants apprendront licks, de phrases, de solos, de pistes de bass et de power chords dans les clés de E, F, G, A, C et D, si bémol ! Une section spéciale de Mark Lonergan, est aussi inclus sur l'exécution licks et les riffs, les t…

Par COLLECTIF. Sous la direction de Frank Pecquet. La quasi-généralisation de la place du son et de la musique dans la société, notamment marchande, pose celle de ses usages, une si importante allocation financière ou autre pouvant difficilement ne pas impliquer des usages tout aussi nombreux que complexes. La question est d’autant plus intéressante que, dans ce domaine comme dans d’autres, les us…