Par BRAHMS JOHANNES. The 'Deutsche Volkslieder” WoO by Johannes Brahms were published in altogether seven books in 1894. The first six books each comprised seven songs for voice and piano accompaniment, and Book VII contained the subsequently composed songs nos. 43 to 49 for four-part chorus and piano ad libitum. Brahms had completed his compilation of the books in the winter of 1893/94- however, …

Par CHOPIN FREDERIC. The Complete Chopin ? A New Critical Edition from Edition Peters is firmly established as the most important ongoing scholarly edition of Chopin?s music and is a must for any discerning pianist. The world?s foremost Chopin editors, under Editor-in-chief John Rink, bring their unrivalled collective knowledge to imbue the project with unique authority, drawing upon the latest in…

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…

Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces composed in 1838. The work belongs to one of Schumann's most creative periods. It was influenced by the writings of author E. T. A. Hoffmann and was inspired by Schumann's love for his wife, Clara. The current edition has been thoroughly researched, with comparisons made between all early sources. The 1850 second editi…

Par BOGUNIA ADAM. As a tuba teacher in primary and secondary schools of music and a lecturer on the Instrumental Department of Cracow Academy of Music for many years, I have encountered considerable difficulty in acquiring sheet music for this instrument. Hence I have prepared my own exercises, studies and arrangements suitable for teaching the tuba to pupils and students. Some of that material is…

Description Preface by Carol Barratt. Here's a great new collection of showtunes, folk songs, children?s songs and pop songs, carefully chosen to bring fun and musical variety to the primary school classroom. Some will be familiar, some will be brand new surprises, and some will be half-forgotten favourites from the past now given a new lease of life. All songs are arranged for easy…

Par BACH JOHANN SEBASTIAN. Bach's mastery of rhythm and harmony, inventiveness, and genius for composition produced some of the richest and most beautiful music of all time. Those qualities are strikingly evident in his early concerti, which are among the most recorded and performed works in the Baroque repertoire. This volume reprints, complete and unabridged, seven complete concerti for solo key…

Kantate Zum 2. Pfingsttag. Par TELEMANN GEORG PHILIPP. This early work, probably composed during the period 1701–1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict “gentle breezes” giving place to the rushing wind at thecoming of the Holy Spirit. Suitable for Whitsun./ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes …

Kantate Zum 2. Pfingsttag. Par TELEMANN GEORG PHILIPP. This early work, probably composed during the period 1701–1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict “gentle breezes” giving place to the rushing wind at thecoming of the Holy Spirit. Suitable for Whitsun./ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes …

Hymnes. Par PETTI A. / LAYCOCK G.. Since early Victorian times, music in church has lagged increasingly behind the developments in the secular field. The New Catholic Hymnal includes a number of new settings which are nearer the technique and spirit of the day than was hitherto customary. Whilst most congregations would baulk at contemporary dodecaphonic music, simple diatonic dissonance and other…