La série Gig Guide est conçu pour offrir aux musiciens un projet pour la construction des bandes. Nous sélectionnons les chansons, mettre 'em dans l'ordre, et vous montrer comment jouer' em. Le format est simple: il n'ya pas de scores lourde note pour note à sightread ou théorie compliquée à comprendre. Juste ici la feuille de plomb, voici les pièces dont vous avez vraiment besoin de savoir, et vo…

Drumstick Control is a snare drum technique method for the drumset player. The book introduces and explains the accented stroke types and combinations both popular and necessary for today's contemporary drummer. All the PAS International Drum Rudiments that contain accents are covered with logical drumset applications (time keeping, fills and solo ideas). This book is a comprehensive technical met…

'Patchwork', le 3e quatuor à cordes de Barbara Heller (Schott ED 20775), existe maintenant aussi dans une version pour orchestre à cordes. De caractère enjoué, badin et léger, 'Patchwork' est une pièce jubilatoire. Des figures fluides s'exprimant libremen / Orchestre A Cordes / 16 pages / Partition

Bluegrass banjo has all the drive, excitement, rhythmic complexity and melodic possibilities that you could want in an instrument. This collection of lessons, compiled from Homespun's vast library of music instruction, covers a variety of skills and tunes. The segments are graded to take you from elementary to advanced levels, and will open up myriad playing possibilities while allowing you to sa…

Par WENNAKOSKI LOTTA. “Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of.” Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in diff…

Now it's your chance to swing along with the greatest composers of the Romantic era! This book and CD pack features 12 favourite Romantic works, with a difference - exciting, inventive arrangements by Mark Armstrong that make them appealing and fun for all ages. The CD features live jazz trio backing tracks, complete with full instrumental performances of each track. Also included on the CD are pr…

34 titres classiques dans les arrangements de ligne de mélodie avec boîtes de cordes de guitare et des symboles et des instructions pimenter. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Par MENDELSSOHN-BARTHOLDY FELIX. In association with the Mendelssohn House, Leipzig, Edition Peters proudly presents the Mendelssohn ‘Souvenir’ edition, containing a selection of piano works intended by Mendelssohn to be played at home, as generations of amateur musicians since the 19th century have done – learning to appreciate and love this wonderful music. Mendelssohn’s Songs without Words, in …

Treize morceaux couvrant le baroque à nos jours pour les saxophonistes de Grades 4-6 standard, choisis et arrangés par Ian Denley. Aussi pour l'examen ABRSM de grade 4 et 5 sax ténor. / Saxophone Tenor / niveau : Intermédiaire / Partition

This volume, edited by Andreas Rockstroh, completes the organ music series for key times and occasions during the church year. As a collection of relatively easy 19th century works, it presents a rich assortment of compositions and arrangements for worship and concerts and is entirely oriented towards the actual practice of church music, addressing both part- and full-time organists.- Preface and …

Par HUMMEL BERTOLD. As an educational and recital piece, Bertold Hummel's Sonatina Op. 35, composed in 1969, has accompanied many a young musician following his or her own path. Having sold a thousand times all over the world, it is one of the composer's best-known works and has been included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. The three movem…

Par NAOUMOFF EMILE. These songs by Emile Naoumoff are squarely in the tradition of French lied composition such as by Gabriel Fauré. Here, Naoumoff chose texts by late 19th-century French lyricists: Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire and René-François Sully-Prudhomme. In their elegance and suppleness, the four songs sound typically French. As they are all easy to …