Über Die Nicht- Und Flüchtigkeit Des Menschlichen Lebens. Kantate Zum 24. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. The 'Trauer-Actus' is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur, and to no a less extent the composer's as yet imperfect technical mastery of his craft indicate that this work dates from Telemann's apprentice…

Über Die Nicht- Und Flüchtigkeit Des Menschlichen Lebens. Kantate Zum 24. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. The 'Trauer-Actus' is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur, and to no a less extent the composer's as yet imperfect technical mastery of his craft indicate that this work dates from Telemann's apprentice…

Über Die Nicht- Und Flüchtigkeit Des Menschlichen Lebens. Kantate Zum 24. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. The 'Trauer-Actus' is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur, and to no a less extent the composer's as yet imperfect technical mastery of his craft indicate that this work dates from Telemann's apprentice…

Über Die Nicht- Und Flüchtigkeit Des Menschlichen Lebens. Kantate Zum 24. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. The 'Trauer-Actus' is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur, and to no a less extent the composer's as yet imperfect technical mastery of his craft indicate that this work dates from Telemann's apprentice…

Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanatio…

Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: “First of all I had to eliminate all those parts of the source material that had strictly instrumental designs, reducing the work – to quote Wolfgang Rihm – to its singable remnant. What was so surprising, however, was that such a reduction did not lead to a …

Schubert's great C minor Sonata D 958 was composed in 1828 just a few months before his death, along with the late sonatas in A major (D 959) and B-flat major (D 960). Conceived as a triptych, they constitute his musical testament to the piano sonata genre.This scholarly-critical edition by Walburga Litschauer is based on the 'New Schubert Edition? and presents this masterpiece in a spacious new e…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, i…