Par CURTIS MIKE. Langue: English(UK)/ Répertoire / 4 Saxophones (AATBar)

For Quartet With Opt. String Accompaniment. Par CURTIS MIKE. / Musique klezmer / Recueil / Quatuor avec Opt. Cordes

Par CURTIS MIKE. / Musique klezmer / Recueil / Clarinette et Piano

Par CURTIS MIKE. Langue: Deutsch / Musique klezmer / Répertoire / 4 Saxophones SATB

Par CURTIS MIKE. The huapango is a popular dance originating on the east coast of Mexico. Its subtle alternation of 2 and 3 can be demonstrated in this recitation: MEX-ico, EC-uador, CHI-le, COS-ta, RI-ca. These dances can be likened to diarist entries written during an extended stay in Mexico's west coast state of Nayarit. Following each sultry day of exploring the beaches, I would come back to t…

Par CURTIS MIKE. Langue: Italiano/ Répertoire / Flûte Traversière Hautbois, Clarinette, Basson et

Par CURTIS MIKE. / Répertoire / 2 Clarinettes

for soloist and string orchestra. Par CURTIS MIKE. Featuring largely original writing and five highly descriptive movements. The solo part in C treble clef is playable by oboe or flute, and the string parts incorporate a variety of arco, pizzicato and spiccato techniques./ Répertoire / Instrument Solo en Do et Orchestre à Cordes

Par CURTIS MIKE. After the success we enjoyed with Klezmer Wedding the demand for a new piece from professionals and school ensembles, was overwhelming so the composer wrote this new unique three-movement suite. Each movement can be performed individually. / Niveau : Avancé / score and parts / Recueil / 4 Clarinettes (2 Clarinettes en Sib, Alto-Clarinet

Arr. Mike Curtis. Langue: English(US)/Deutsch/Français/Nederlands / Niveau : 3 / Recueil / 2 Saxophones

This book presents an interpretation of Klezmer music as it was recordedin the U.S.A. in the early 20th century. The principal stylistic influenceshave been the 78rpm recordings of two great pioneer clarinetists: NaftuleBrandwein and Dave Tarras. The second volume contains 12 Klezmerpieces with chord symbols. / Saxophone en Bb (S/T)

/ Clarinette

This book presents an interpretation of Klezmer music as it was recorded in the U.S.A. in the early 20th century. The principal stylistic influences have been the 78rpm recordings of two great pioneer clarinetists: Naftule Brandwein and Dave Tarras. The first volume contains 12 Klezmer pieces with chord symbols. / Saxophone en Bb (S/T)