Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movem…

Böhmische Hirtenmesse. Par RYBA JAN JAKUB. Freely rhymed Mass settings; available either in German or Czech. The Bohemian Christmas masses are a typical product from the end of the 18th century. Jan Jakub Ryba’s Pastoral Mass from 1796 is a prototype of this genre. It was set in Czechoslovakian and filled with a conscious simple, folk-like musicality, which every villager in Ryba’s time could unde…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movem…

In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte T…

In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte T…

In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte T…

In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte T…

In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte T…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Ergänzt Und Herausgegeben Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS / LEVIN ROBERT D.. Mozart’s Mass in C minor K. 427, the “Große Messe, ” is a torso – a circumstance which, in view of the monumentality of the work, is truly unfortunate. The American musicologist and internationally acclaimed concert pianist, Robert D. Levin has reconstructed and completed the Mass, which occupies an outst…

Ergänzt Und Herausgegeben Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS / LEVIN ROBERT D.. Mozart’s Mass in C minor K. 427, the “Große Messe, ” is a torso – a circumstance which, in view of the monumentality of the work, is truly unfortunate. The American musicologist and internationally acclaimed concert pianist, Robert D. Levin has reconstructed and completed the Mass, which occupies an outst…