Par DE HAAN JACOB. Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée à la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, à l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX à Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et …

Tonalité : C-Dur - Mh 182. Par HAYDN JOHANN MICHAEL. Haydn’s Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron “Saint of bridges, ” Johannes Nepomuk [ca. 1340–1393, canonized in 1729]. Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count H…

Par LEGUAY JEAN-PIERRE. Le dimanche 25 juin 2000 en la cathédrale Notre-Dame de Paris, au cours de l’office de 18 h 30 présidé par le cardinal Jean-Marie Lustiger, a été créée, sous la direction de Nicole Corti, ma messe Missa Deo Gratias pour chœur d’enfants, chœur mixte, deux orgues, deux trompettes, deux trombones et percussions. Commandée par Musique sacrée à Notre-Dame – alors dirigée par Jea…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Par SCHNIZER FRANZ XAVER. Die 'Missa in C' ist eine Messe, bei der zwar reichlich Orgelsoli, aber außer dem Violone als Continuobass keine weiteren Instrumente vorgesehen sind, eine anscheinend große Rarität unter den Orgelsolomessen. / Messe / Répertoire / Choeur SATB et Violoncelle ou Contrebasse et Orgue

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Par SCHNIZER FRANZ XAVER. Die 'Missa in C' ist eine Messe, bei der zwar reichlich Orgelsoli, aber außer dem Violone als Continuobass keine weiteren Instrumente vorgesehen sind, eine anscheinend große Rarität unter den Orgelsolomessen. / Messe / Répertoire / Choeur SATB et Violoncelle ou Contrebasse et Orgue

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,