Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belo…

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belo…

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belo…

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belo…

Jack White a écrit, enregistré et produit son premier album solo, qui a débuté au sommet du Billboard 200. Voici les notes et les onglets de toutes les chansons de la célèbre 2012 CD. / Guitare

Par FOGELBERG DAN. Daniel Fogelberg, décédé en 2007, était un auteur-compositeur, multi-instrumentiste, dont la musique s'inspire de sources aussi diverses que le folk, pop, musique classique, jazz et musique bluegrass et chanteuse américaine./ Recueil / Piano, Chant et Guitare

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C-Dur. Par RATHGEBER JOHANN VALENTIN. Tonalité : C-Dur - Opus : 19 #1 - Dotzauer, Wilfried (Arr.) - / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Tonalité : C-Dur - Op.: 169 -. Par RHEINBERGER JOSEF GABRIEL. Obwohl Rheinberger ein beachtliches Repertoire an Musik für den Gottesdienst hinterlassen hat, ist die hier veröffentlichte 'C-Dur-Messe' op. 169 für Solostimmen, gemischten Chor und Orchester sein einziger Beitrag zur Gattung der Orchestermesse. Er behandelt die Solostimmen generell als Ensemble und läßt keine Einzelstimme arios hervor…