Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be descr…

Par ANDREWS DOUG. A Tragic Story by Douglas Andrews arranged for mixed voice choir and piano. / Choral Music / Répertoire / Voix Mixtes et Piano

For Mixed Voice Choir. / Voix

Par OFFICIAL HIGE DANDISM. The official band score for Official Hige Dandism's 3rd major-label album 'Rejoice' is here! The official band score for the 3rd major-label album “Rejoice” released in July is now available! The album includes “Subtitle”, the theme song for the popular drama “silent”, “TATTOO” from “Pending Train”, and “Sharon” from “Mountain Doctor”. It also includes “Mixed Nuts”, the …

The Vocal Score for the Franco-Swiss composer Richard Dubugnon's brilliant choral work, Adoration De La Croix. Richard Dubugnon was born in 1968 and began his musical studies with the Double Bass and in composition. He studied at the Paris Conservatory and then the Royal Academy of Music before turning to teaching for seven years. The winner of numerous awards, as well as seeing his work performed…

Par RUNSWICK DARYL. Symphony For Voices is for a large body of voices (60-80 people), but not necessarily a choir. The voices are divided into 4 groups, though not by voice-type or gender, but deliberately mixed up. The music is unorthadox, using mostly Extended Vocal Techniques, whispering, grunting, shouting, humming, and words from a variety of different languages. Ideal for those who want a di…

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be descr…

2nd Edition. Par STROOPE Z. RANDALL. Composer/conductor Z. Randall Stroope has taken this very successful three-movement work for mixed chorus and brass which he published several years ago, and wrote a new first movement, mostly new third movement, and re-orchestrated it in a colorful 16-minute display of choral/instrumental color.ÿ Calls for 4 trumpets, 3 trombones, tuba, timpani, perc (1), orga…

Aulis Sallinen's uplifting work Hold Fast To Your Dreams , for mixed or boys' choir, with text by Louise Driscoll. Piano part included for rehearsal. / Chant Et Piano

Par LLOYD WEBBER ANDREW. Skimbleshanks is a song taken from the popular Andrew Lloyd Webber musical, Cats, which was based on T. S. Eliot’s Old Possum’s Book of Practical Cats, the show is set amongst a larger-than-life junkyard playground and is alive with our favourite feline characters, including Skimbleshanks, the railway cat. This arrangement is for SATB mixed voices choir and piano accompani…

The musical setting of the poem Though Love be a Day by the English writer E. E. Cummings is both graceful and solemn at the same time. The composer Matthew Brown interpreted it sometimes light, sometimes tonally powerful and archaic for mixed a cappella choir. / Choeur Mixte (SSAATTBB) A Cappella

World of Merriment arranged for mixed voice choir by Alexander Campkin. / SATB

Par KODALY ZOLTAN. ZOLTÁN KODÁLY (1882-1967) created a significant oeuvre equally as a composer, pedagogue, and ethnomusicologist; he was one of the most influential figures in 20th-century Hungarian music. With his over 130 works for unaccompanied choir he laid the foundation of modern Hungarian choral literature. A complete collection of Kodály's choral works is available in three volumes: Chora…

By Popular Request includes thirteen superb arrangements of classic popular songs for mixed voice choirs. The selection covers a wide range of styles and moods, so choirs will be sure to find the right piece to provide a light selection in a concert programme, or simply as an encore! Selected and edited by Ralph Allwood, one of the UK's most distinguished choral directors. / Chant Et Piano