mixed choir (SATB/SATB) a cappella

Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins, featuring new pieces and arrangements of a selection of movements from his most popular works, including The Armed Man, Requiem, Adiemus and The Peacemakers. Although scored for mixed choir a cappella, most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH …

Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedl…

Hob.XX:2. Par HAYDN FRANZ JOSEF. The Seven Last Words of our Saviour on the Cross (Die Sieben letzten Worte unseres Erlösers am Kreuze) (Hob. XX:2) Oratorio (Vocal Version) The original orchestral version of 'The Seven Last Words' (Hob. XX:1A), probably composed in 1785/86, was later arranged by Haydn into an oratorio, probably in 1795/96. It is scored for SATB soloists, mixed chorus (SATB) and or…

Partition pour chant Réduction pour piano Edition Urtext Avec voix pour soli, chorale et orchestre (soprano solo, alto solo, ténor solo, basse solo, chorale mixte (SATB)) Fragment de Mozart avec des ajouts de Joseph Eybler and Franz Xaver Süßmayr Publiée par Leopold Nowak Travaillée par Heinz Moehn and Antje Wissemann ISMN: 9790006450152 N° d'édition: BA 4538-90 Format: 19 x 27 cm 80 pages / Bären…

Instrumentation : SATB Soli.SATB Chorus - Orchestra(Lat.) Vocal Score Editor :PonmanDuration : 95'

A useful new resource for choirs, the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is perfect for groups of all sizes and abilities. The pieces in this exciting collection have been carefully chosen to offer a selection of interesting contemporary works alongside older and more well-known anthems. It is recognised that many choirs have limited rehearsal time and, frequently, l…

8 Four-Part Settings for Choir a cappella [mix ch]. Par STOLARZ OHAD. The Sephardic culture originates from the Jewish population of Spain that was banished at the end of the 15th century and afterwards spread to the whole of the Mediterranean area, the Balkan and North Africa. Its unique Spanish dialect Ladino was preserved, finding musical expression in ballads, lyrical and paraliturgical songs …

Das Fußballstück. Par LANGER MANFRED. What happens to a choir when the FIFA World Cup kicks off? The composer Manfred Länger, of Vienna, has written a very inventive piece about this hot topic in which he spoofs “football fever” in a very compact composition. The work is suitable for all choirs [mixed choir, women’s or men’s choir] singers who are football fanatics and those who are football grouc…

New settings of the two evening canticles which incorporate jazz elements, including harmony in voice parts and organ and many 'blue' notes. Despite these jazz elements, the music is very approachable, with natural syncopation and mostly homophonic writing. It is also available for mixed choir (ISMN 979-0-060-13011-3). Either version would be enjoyable and rewarding additions to a church choir's m…

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …