Violin 1 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the cours…

Conte musical d'après l'oeuvre de Daniel Defoe. Par COL BERNARD. Ce conte musical se donne pour objectif de faire découvrir aux enfants Robinson Crusoé, ?gure mythique du récit d’aventure. Il s’adresse aux classes des conservatoires comme à celles de l’éducation nationale. Les huit chansons présentées développent huit thèmes qui correspondent à huit étapes clés du roman de Daniel Defoe : la solitu…

Piano Adventures is an exciting, comprehensive Piano method that teaches children analysis, creativity and musical expression.This Level 2A Lesson And Theory Book provides a step-by-step approach to the 8th-note rhythm patterns, major and minor 5-finger scales and chords, the phrase and transposition.It covers a wide range of musical styles from jazz to classical, including melodies of Beethoven, …

Par DELISE LOUIS ANTHONY. Louis Anthony deLise is an American composer, pianist, and percussionist. The compositions in A Gift of Moments are typical of deLise?s composing style that often features the juxtaposition of disparate musical elements like serial technique, frequently changing meters, the urgency and drive of rock and roll, and the lush harmonies of 1960?s West Coast Jazz. Dr. deLise wa…

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of…

Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as m…

Par HUDSON ROBERT. The 30 modern studies in this book are designed to provide trombonists with a wide variety of technical and musical challenges, progressively arranged from beginner to advanced levels. Each study forms a complete musical statement, encompassing classical music, jazz, funk, rock, and other traditional and popular world musical styles. Alternative slide positions are indicated whe…

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use …

Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Concerto in D major K. 314 (285d) Andante C major in K. 315 (285e) Mozart exhibited a special affinity with the woodwind family, writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts making it the ideal choice for both academic study and informed concert per…

Concerto for piano and orchestra. Par MOZART WOLFGANG AMADEUS. Piano Concerto No. 25 in C major K. 503. Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid…

Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of creating some form of organically homogeneous chain of musical tensions evolving ever more distinctly into a musical utterance, although still indeterminate in terms of pitch. The tissues forming the chain of those tensions were of relatively simple design, yet in spite of this ? or perhaps because of it ? they were inc…

Par BACH JOHANN SEBASTIAN. L?appellation de «Suites anglaises», ? tout comme celle des «Suites françaises» ? n?est pas de Bach. Contrairement aux six Suites «françaises», et à leur caractère intime, les Suites «anglaises» relèvent d?une identité sonore plus grandiose: chaque suite s?ouvre sur un prélude dans le style concertant; deux des sarabandes sont augmentées chacune d?une version ornementée …

Par GADD STEVE. In this, the first drum book he has written, music legend Steve Gadd presents a series of rudimental passages inspired by his experience in drum corps and his love of the rudiments. Each of the etudes is based on a classic or contemporary rudiment, or on Steve's personal variations. He takes the phrases and then displaces them to begin on different subdivisions of the beat, thereby…

Par KLAPPROTT BERNHARD. The “B-A-C-H, Perpetuum Mobile”, composed in 2016, refers to a statement by Beethoven in which he expressed admiration for the infinite richness of Bach’s compositional art. The idea of infinity inspired Bernhard Klapprott (harpsichordist, organist, director of the Institute for Early Music at the University of Music in Weimar) to create his musical perpetuum mobile. Two ha…

Like Dvorák's third and fourth quartets (in D major and E minor respectively), String Quartet #2 in B-flat major was probably composed between 1868 and 1870, when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvorák de…