Par NODA. Maï by Ryo Noda, a Japanese composer, is a unique piece of work for solo Saxophone that is strongly influenced by Japanese music. With some sonority supposed to be quite close to those of a koto and of a shakuhachi, this piece is very technical and complex to play. The story behind this work is about the ghost of a Japanese Samurai. While his wife asks why he let her behind and left to f…

Par ALLEN VIRGINIA. This charming A-B-A form tone poem takes us on a memorable pleasure sailboat ride on the Chesapeake. Skillful scoring and natural melodies make sure this piece will show your group well on the concert stage. After a calm opening, the contrasting detached middle section of the piece sparkles as you feel the gentle breeze pick up to push the boat along on a joyously exciting crui…

Par ALLEN VIRGINIA. This charming A-B-A form tone poem takes us on a memorable pleasure sailboat ride on the Chesapeake. Skillful scoring and natural melodies make sure this piece will show your group well on the concert stage. After a calm opening, the contrasting detached middle section of the piece sparkles as you feel the gentle breeze pick up to push the boat along on a joyously exciting crui…

A mysterious pizzicato pulse sets the tone in this sly scherzo while shadowy melodies evoke the wood elves. Dynamics ebb and flow throughout before the piece builds to its conclusion. With a technical focus on two-note slurs and G string notes, this piece provides some exciting technical challenges for young players, but students and orchestras will be drawn to the dramatic style and mischievous m…

Par HOSAY JAMES L.. This regal and stately fanfare-opener is a sterling new offering for band. Sixteen opening bars of thrilling fanfare lead inexorably to a theme expressing dignified momentum. Frequent but simple meter changes help to make this an interesting and educational piece that both the band and the audience will enjoy. A recap of the opening fanfare brings the piece to an exciting finis…

Par HANNICKEL MIKE. Take your band to the great North American plains, to a post-Columbian Sioux village. A tone poem describing the life of a young Sioux, Horse and Buffalo is based upon actual Native American melodies. A lullaby, an honor song, and a courting song are the basis of this dynamic arrangement. Your young players will be especially intrigued by the energetic, meter-shifting honor son…

Par WILLS ARTHUR / RATCLIFFE DESMOND / JACKSON FRANCIS. In this collection, the composers have attempted to provide pieces that display the individual tone-colours of the modern organ. Works of this nature are scarce, but their value, particularly for the recital, is considerable. This contrasted set could well be played as a group in one programme. / Niveau : INTERMEDIATE / Recueil / Orgue

Pieces for Cello Positions. Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C321 A book of pieces each one staying in one position so pupils whatever their age, get to know the geography of the cello fingerboard across the strings in 2nd, 3rd, half, extended 2nd, extended 3rd and extended 4th positions, thi…

Gregory Stone has transcribed these three selected preludes for one piano-four hands.For much of his life George Gershwin sought to integrate the worlds of jazz and classical music. These pieces are not jazz improvisations but they do show something of the style of his own playing. Gershwin had intended to compose a set of twelve, a sort of jazz Wohltemperierte Clavier, but his unexpected death fr…

Opus 11. Par SCHOENBERG ARNOLD. Arnold Schönberg?s Piano Pieces op. 11 are a milestone in the development of piano music. Schönberg had also already composed other atonal works, but always for voice with sung text. By contrast the Piano Pieces op. 11 are the first instrumental compositions to be written in so-called ?free atonality?. For all its revolutionary explosive power, the cycle is classica…

With his sonatas op. 31 composed in 1802 Beethoven for the last time grouped together piano sonatas under one opus number. The centrepiece of the collection is undoubtedly the dramatic Sonata in D minor nicknamed 'Tempest' which already fascinated his contemporaries. According to Anton Schindler, who asked the composer about the 'key' to this work as well as to the sonata op. 57 ('Appassionata'), …