Metodo per baritono / eufonio BC. Par KASTELEIN / TIJMEN BOTMA. A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI & SUONA, un’opera educativa e ludica con accompagnamento su CD. Questi metodi attuano un processo decisamente aperto, gratificante e moderno per rivoluzionare l’insegnamento mu…

Favourite Italian Melodies. Italian culture influence many art forms and perhaps none more so than music. In this album, David Brooker has arranged, for violin and piano, eleven well-known pieces that simply shout 'ITALY” at you! 'Italian Classics” includes the unforgettable 'O Sole Mio”, 'La Donna è Mobile”, 'Funiculi, Funicula” and Verdi's 'Chorus of the Hebrew Slaves”. For intermediate players…

Par STRAUSS JOHANN. Johanne Strauss' Die Fledermaus for Voice and Piano. / Opéra-opérette / Répertoire / Opéra

Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as 'the first among the living flutists? in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on ope…

Par SIMONE NINA. Of all the major singers of the late 20th century, Nina Simone was one of the hardest to label. She recorded extensively in soul, jazz, and pop and was also comfortable with blues, gospel, and Broadway. She has subsequently been labelled as a 'soul' singer in terms of emotion, rather than form. Her repertoire included jazz standards, gospel and spirituals, classical music, folk so…

Par MONGREDIEN JEAN. Cet ouvrage met à la disposition du public un vaste ensemble de documents relatifs aux trente premières années de l’histoire du Théâtre-Italien de Paris (1801-1831). La capitale française découvre alors les grands opéras italiens de Mozart, et bientôt ceux de Rossini. Des chanteurs virtuoses de renommée internationale font leur apparition : Manuel García, Giuditta Pasta, Maria…

/ Chant/Vocal/Choeur / 400 pages / Partition

Par OFFENBACH JACQUES. Opera Buffo In Two Acts/ Répertoire / Chant et Piano

op. 26. Par WELLESZ EGON. Egon Wellesz?s ?Six Piano Pieces? op. 26, six rather short character pieces, are written entirely in the spirit of the atonal works of the Schoenberg School. In the first movement, even the third stands out as an essential component of the composition, which brings this movement close to Schoenberg?s opus 19/2. And Wellesz used the expressive thematic material of the ?mas…

Par PUCCINI GIACOMO. Opera / Opéra-opérette / Répertoire / Chant et Piano

25 des meilleurs titres d'Andrew Lloyd Webber, de ' Joseph and the Amazing Technicolor Dreamcoat ' à ' School of Rock ' ! Les chansons sont disponibles pour piano, voix, et guitare, easy piano ainsi que dans une version E-Z-Play-Today. Les titres inclus sont : As If We Never Said Goodbye - Close Every Door - Dont Cry for Me Argentina - I Dont Know How to Love Him - Memory - The Phantom of the Oper…

Par BEETHOVEN LUDWIG VAN. The works for solo voice(s) and Orchestra assembled in this volume owe their composition to the most diverse occasions. Some were tailor-made for female singers in Beethoven ’s milieu, while with others he was dabbling in the field of Italian opera (under the tutelage of none other than Antonio Salieri). Scarcely any of them made it into print during Beethoven ’s lifetime…

Par PURCELL HENRY / BRITTEN. Benjamin Britten's performances and realisations of the songs and other music by Henry Purcell extended over at least thirty years, from the early nineteen forties onwards. In Purcell he found a kindred spirit: a composer of opera and dramatic music who knew how to write for the voice, and who handled the English language with sensitivity and daring. / Niveau : Assez F…

Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assiégée?, Gluck drew on his eponymous opéra comique from 1759, transforming it into an opéra-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional…

Quelle est cette odeur agreable. ‘Whence is that Goodly Fragrance Flowing?’ is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar’s Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement…