Scène Aus Der Oper 'Giralda' Von Adolphe Adam. Par BORNE FRANCOIS. In this edition of the “Flute Collection” Henrik Wiese, principal flutist with the Bavarian Radio Symphony Orchestra, presents two works by French composer and flutist François Borne (1840-1920), arranged for flute and piano: “Fantaisie brillante” on themes from the opera Carmen by George Bizet and the first-ever edition of “Scène”…

Par PUCCINI GIACOMO. Nessun Dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot, and is one of the best-known tenor arias in all of opera. It achieved pop status after Luciano Pavarotti's 1972 recording of it was used as the theme song of BBC television's coverage of the 1990 FIFA World Cup in Italy and became the famous Tenor's signature aria. This unique ar…

Attila, Verdi's ninth opera and the second of five that he composed for Venice's Teatro La Fenice, had its premiere on 17 March 1846. Verdi was inspired to compose an opera on the subject of Attila by two rather unusual sources, Attila, König der Hunnen, a curious play by a now-forgotten German playwright, Friedrich Ludwig Zacharias Werner, and Madame de Staël's discussion of it in her magisterial…

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Gilbert And Sullivan's Patience opened April 23, 1881 at the Opera Comique and ran for 578 performances at both the Opera Comique and Savoy Theatres. Full vocal score with piano accompaniment. / Niveau : Elémentaire / TV, Film, Comédie musicale / Recueil / Chant et Piano

Ballet in one prologue and three entrées. Par RAMEAU JEAN-PHILIPPE. 'Les Fêtes d'Hébé' or 'Les Talents Lyriques' (1739) belong to the highly opulent ballet opera genre, which was only common in 18th century courtly France. Rameau's 'Indes Galantes' (1735) is often considered the pinnacle of this “mixed” genre, which connects instrumental music, song and dance in the form of a prologue with subsequ…

in Full Score. Par WAGNER RICHARD. The final Ring opera reprinted from the rare and authoritative edition of 1877. This edition was personally approved by the composer and is complete with the instrumentation he intended. The final Ring opera reprinted from the rare and authoritative edition of 1877. This edition was personally approved by the composer and is complete with the instrumentation he i…

On themes form Benjamin Britten's opera. Par STEVENSON RONALD. On Themes Form Benjamin Britten'S Opera/ Répertoire / Piano

For Six Beijing Opera Gongs (2003). Par GUO W.. For Six Beijing Opera Gongs (2003) / Musique contemporaine / Répertoire / Trio

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. This opera had its premiere on December 31, 1879, at the Fifth Avenue Theater in New York with Arthur Sullivan conducting. It opened on April 3, 1880, at the Opera Comique in London and ran for 363 performances. / Niveau : Intermédiaire / TV, Film, Comédie musicale / Recueil / Chant et Piano

Par HAYDN FRANZ JOSEF. The newly-built opera house in the park at Schloss Eszterháza was opened in September 1768 with Lo Speziale . The work has combinations of roles and the complications typical for opera buffa . The two youths Mengone and Volpino complete for the affections of Grilletta , the pretty ward of the strange apothecary Sempronio . But the apothecary would prefer the girl for himself…

Par ABOULKER ISABELLE. La Fontaine Et Le Corbeau is an opera-fable created by Isabelle Aboulker and based on the Fables of Jean de la Fontaine. Featuring the scores for Voice and Piano only and the text for the actors, this piece is a show in which the music is initially played by a Flute, an Oboe, 2 Clarinets, a Bassoon, a Horn, a Piano, some percussion and a Cello. Two actors are necessary: the …

Arrangeur: Jeffrey Beyer. Par ROSSINI GIOACCHINO. These six arias from Gioacchino Rossini's beloved opera 'The Barber of Seville' were first arranged for two bassoons in the 1820's by French bassoonist François-René Gebauer. During this time, Gebauer was performing with the Paris Opera. He arranged two volumes of these arias, and flutist Jeffrey Beyer has chosen to transpose, adapt and arrange the…

Gioachino Rossini chooses Semiramide as the opera subject of the Carnival season 1822-23, the last of his Italian career. The opera - composed on a libretto by Gaetano Rossi - was performed for the first time in Venice, Teatro La Fenice, on February 3rd 1823. The history of this work is characterized right from the first performances by frequent manipulations, cuts and consecutive adjustments beca…