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Forty-four folk favourites including 'The Foggy, Foggy Dew', 'John Peel', 'Lincolnshire Poacher', 'The Blue Bells Of Scotland' and 'Loch Lomond'.Forty-four folk favourites, all in simple arrangements for piano, organ or electronic keybord. Includes The Foggy, Foggy Dew, John Peel, Lincolnshire Poacher, The Blue Bells Of Scotland and Loch Lomond. / Chant Et Guitare / 88 pages / Partition

Piano / Keyboard / Organ optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / 2 Violoncelles

Für Orgel Und Physharmonika Allein. Par NEUKOMM SIGISMUND. Sigismund Ritter von Neukomm is one of those artists who achieved national fame during their lifetime, but fell into obscurity with succeeding generations. In the case of Neukomm, this is particularly surprising, as he can be described as one of the most popular musical personalities of the first half of the 19th century. Extended concert …

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In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte T…

Par BRIDGE FRANK. Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge’s best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The m…

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. / Chant/Vocal/Choeur

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Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Pas…

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Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which th…

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