Par GOODALL HOWARD. Howard Goodall's setting of Spared by Wendy Cope, arranged for SATB divisi and piano accompaniment. This work was first performed by The Chapel Choir of The Methodist College Belfast on 27th October 2005 at St Anne's Cathedral, Belfast. Wendy Cope's poem movingly evokes the events of September 11th 2001, an event that Howard Goodall witnessed firsthand. Faber Choral Signature S…

Written in the key of A major, this lyrical solo is an excellent study of seventh chords. The left-hand accompaniment uses both blocked and broken seventh chords, creating a wonderful opportunity for analysis. Melodic and harmonic sequences also are used. By analyzing the different compositional devices found in this solo, students will have a better understanding of the piece and its romantic sty…

Par BEATLES THE. Arranged for the first time with separate accompaniment and melody line. / Rép International / Recueil / Piano, Chant et Guitare

Chorbuch + CD / Choral Score with CD. Par HEMPFLING VOLKER. Christmas is celebrated throughout the world - sometimes at the end of December, sometimes at the beginning of January. And everywhere, singing Christmas carols is part of the celebrations. Some carols, such as Adeste fideles or Stille Nacht are sung throughout the world, but many countries have their own particular carols which reflect t…

This early-elementary solo contains long, song-like legato phrases with steps and skips. The melody is primarily divided between the hands. A few harmonic intervals and a smattering of accidentals are also included. Clever lyrics help students imagine the thrills of an exciting jungle safari. Contrasting dynamics add interest, and an optional duet accompaniment provides a solid bass harmony to sup…

Beginning pianists can perform these arrangements of familiar Sunday school melodies as solos or supported by the teacher accompaniment part. / Chant Et Piano

Ger. Includes 3 Byron Songs, Op.94, with Harp Accompaniment / Voix Et Piano

Designed for use as a concert encore, the piece is short and taxes the violinist by covering the full range of the instrument. The accompaniment is also available for hire in an orchestral arrangement / Violon Et Piano

Coronation Anthem (1685) for SSAATBBB verse, SSAATBBB chorus, strings and continuo. Edited by Peter Dennison. Vocal score with organ accompaniment. / Chant Et Piano

Ballet Heroïque With A Prologue And Four Acts. Par RAMEAU JEAN-PHILIPPE. The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). …

Par COOPER BYE PAMELA. Contains the Christmas story, paraphrased so that children understand it, along with 3 Christmas readings, lyrics, easy-to-read melodies, keyboard accompaniment, and chords for guitar or autoharp. / Niveau : Débutant / Christmas - Songbooks / Recueil / Chant et Piano

Par RACHMANINOV SERGEI. Alongside HN 1264 (the Etude in e flat minor op. 39, 5), Henle are now offering the Etude In C Major in a single edition, taken from their much-loved complete edition of the 17 Études-Tableaux. Rachmaninoff greatly valued this work, often included it in his concert programmes and also recorded it. A longing melody unfolds over a simple accompaniment. This charming piece tha…

With a hauntingly beautiful RH melody singing over an undulating triplet accompaniment, this is the perfect piece to teach balance between the hands. Dynamic contrasts and use of the damper pedal add to its effectiveness. C minor - 3/4 meter - 40 measures - perf. time: 1'15 inch. / Piano

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their t…