Musica Britannica XIV. Par BULL JOHN. Edited by John Steele & Francis Cameron and revised Alan Brown. Bull's skill as a composer and performer was acknowledged throughout Europe. This volume, the first of two, contains fantasias, ostinati and plainsong settings, keyboard canons, preludes and a group of 'Dorian' pieces by this intriguing and ingenious master of the virginals. First published in 196…

'O Lux Beata? ('O Blessed Light') was commissioned by The Fotheringhay Singers (Marius Carney, conductor). The work, a setting of a 4th-century hymn text ascribed to St Ambrose of Milan, contrasts a plainsong style melody over the organ pedals with the rich and lyrical outpouring of larger choral sections. Although challenging in places, the subtle chromaticism and occasional lush close-harmonies …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Par OHLSEN E. / SPENCER. Drury's Accords (Anonymous); Duncomb's Galliard (Anonymous); Merry Mood (Anonymous); Fancy (John Daniel); My Lord Willoughby his welcome home (John Dowland); La vecchia pavan (John Johnson); Echo (Francis Pilkington); Plainsong (Thomas Robinson); Toy (Thomas Robinson). These duets, of varying difficulty, have been transcribed from their lute origins by Oscar Ohlsen and edi…

for string quartet and string orchestra. Par DAVIES PETER MAXWELL. Having previously been granted the diploma of the Bologna Academy in December 2011, Maxwell Davies wrote his Concerto Accademico as both an expression of gratitude to the Regia Academia Filarmonico di Bologna and also in part “a presentation of academic qualification, to justify this singular honour”. The work is scored for string …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Par SMALLEY ROGER. The material of this work is drawn from the sixth of William Blitheman's varients on the plainsong Gloria Tibi Trinitas, which is to be found in the Mulliner Book. This piece appears in its original form at the beginning of the score./ Répertoire / Voix Mixtes

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100 Hymns for Violin and Guitar is a collection of all-time favorite hymns arranged for violin solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories t…

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