The Ukulele has experienced a serious resurgence in recent times, and more people than ever are humming and strumming. If you'd like to make the jump and try your hand at its big brother, then this is the book for you. The Uke and the Guitar actually have a lot in common, so there's no need to start from scratch.With the approach covered in this book, you'll take advantage of all the skills you've…

Par ARNOLD MALCOLM. Written in 1966, Arnold drew on a more personal inspiration for these dances rather than folk music. Transcribed by Ray Farr, the music depicts the fishermen, farm workers and tin miners native to Cornwall going about their lives - it also includes a brief visit to the local Methodist chapel for a Sunday morning sevice!/ Méthode / Brass Band

Par HARVEY JONATHAN. Resurrection is based on simple vocal triads that perfectly suit a resonant building. It is ceremonial and repetitive in character, in short, sacred music rather than secular./ Répertoire / Voix Mixtes

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Easy-to-read, simplified arrangements of sixteen soul hits by Nina Simone, James Brown, Aretha Franklin, Ray Charles, Ben E. King, and more! All songs are arranged for Piano and Vocal with Guitar chord symbols. / Chant Et Piano

Thomas Campion's Never weather-beaten sail is a sprightly text that powerfully evokes the sailor's plea for God's calming presence upon the sea's unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat's sails, and the bass s…

Par PARK OWAIN. 'My latest piece has a rather nice story attached to it. I was asked by my good friend Helen Charlston if I would set a poem she had written called ?18th April?. This date has special significance, as it was supposed to be her wedding day. Sadly, the wedding had to be postponed. During their time in isolation, Helen and fiancée Mike have been curating a wonderful series called #Lie…

' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this in…