Ultime méthode réaliste batterie rock organisé par le primé Carmine Appice. Les nouvelles fonctionnalités comprennent: deux CD avec des exercices remasterisé tambour original et nouveau, trois jouent le long des voies, impair sections de signature temps, les modèles combinant des mains et des pieds. Une excellente édition pour le batteur en développement, recommandé par des célébrités telles que D…

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed…

Note by the composer:'Triple Quartet is for string quartet and two pre-recorded quartets, or three live string quartets with no pre-recording. The piece is in three movements, fast-slow-fast, and is organized harmonically on four dominant chords in minor keys a minor third apart: E minor, G minor, Bb minor, C# minor and then returning to E minor to form a cycle.The first movement goes through this…

Par VAN DER ROOST JAN. As the title suggests, this is a fiery and energetic, dynamic overture. Jan Van der Roost was commissioned to write the piece by the Japanese ‘Band of the NEC-Tamagawa Plant’ on the occasion of its 40th anniversary. From the first measure, the brass section sets the scene with rhythmical motives. Gradually we hear melodic and playful themes, often supported by (poly)rhythmic…

Par STERK JORDAN. Trombones in Paradise by Jordan Sterk will give your trombone section an opportunity to shine in this bright and fun feature piece. Using only the first six notes of the B-flat concert scale and only 'natural' glissandos for the trombones, this piece is sure to come together quickly and be enjoyed by your young students. Your entire band will love learning one of their first sync…

Par CAMPOGRANDE NICOLA. The score is inspired by the urban gardens that are becoming a new, exciting presence in our cities. In such a setting I imagined the piano as an urban memory and the string trio as a green, vegetal presence that surrounds it. Doing that, I created in my mind three special places to develop the different movements of the score. The first is indeed ideally On a Concert Hall …

Une ressource pratique pour composer en salle de classe. Clairement structuré en 9 sections progressives facile à utiliser, chacune explorant les domaines clés de la composition. Activités encouragent les compositions individuelles et de groupes et de stimulent la discussion en classe. Idéal pour les 13-16 ans olds qui ont une expérience musicale et peut lire la notation musicale de base. Une cass…

Par JALBERT PIERRE. Duo Concertante contains five brief movements of contrasting character. The first movement functions as a short prelude, with the viola and bass combining to form alternating high and low harmonies and trading off solo lines. The second movement is a playful scherzo, played pizzicato by both instruments, while the third movement is the central, lyrical movement of the work, wit…

Par YAFFEY CARL. This book presents everything a beginning or intermediate bass player needs to know to participate in a jam session. There are sections that describe the anatomy of a jam session, jam session etiquette and chords and keys for jamming. A play-along CD is included with 9 typical bluegrass jam tunes. The tunes are played twice: once with the tune played on the left channel and a verb…

Par VAN DER ROOST JAN. This fantastic opener opens with a soft and lyrical middle section follows on the powerful opening fanfare which, if the technical equipment is available, can be used as background music for a spoken text or presentation. The finale is distinctly rhythmical in character, and develops into a somewhat unusual ending. Here, the composer piles ten different notes on top of each …

Par DESSAU PAUL. Paul Dessau described his Third String Quartet, begun at Laguna Beach near Los Angeles in 1943, as predominantly lyrical. The song-like, melodious main theme of this one-movement work emerges from a series of notes grounded in tonality. A contrapuntally separated little semiquaver figure acquires increasing importance and points the way ahead to the greater rhythmical turbulence o…

Par VAN DER ROOST JAN. This fantastic opener opens with a soft and lyrical middle section follows on the powerful opening fanfare which, if the technical equipment is available, can be used as background music for a spoken text or presentation. The finale is distinctly rhythmical in character, and develops into a somewhat unusual ending. Here, the composer piles ten different notes on top of each …