Par MOZART WOLFGANG AMADEUS. Allegro in B-flat major of a Quintet for Clarinet, two Violins, Viola and Violoncello K. Anh. 91 (516c). This Allegro fragment was possibly sketched in 1787 two years before composition of the A major Clarinet Quintet K. 581. It is 93 bars long and is complete in all instrumental parts but was abandoned abruptly at the bottom of the fourth page. The distinguished Mozar…

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20) / Orchestre A Cordes

Robert D. Vandall's four duet fantasies on classic carols have now been compiled into one spectacular collection. These extended fantasies incorporate exhilarating rhythms and unexpected harmonic changes, making them fantastic performance vehicles for early intermediate to late intermediate pianists. Careful balancing of the primo and secondo parts gives both performers a chance to shine. Titles: …

Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on …

Wide range of stylesConceived by Martin Weyer, this edition ranges in style from 17th century Portuguese organ music to French and American works of the 19th century. It also contains a selection of German organ music including lesser-known works by Bach and other pieces from Robert Schumann to Ernst Pepping.In addition to the original compositions, organ arrangements have also been included. A de…

21 Pieces by 17 Composers. Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Early Intermediate edition features 17 pieces by 15 composers, including: Anonymous (18th century): Minuet in G from The Notebook for Anna Magdalena Bach · Johann Sebastian Bach: Gavotte II: La Musette from En…

Robert Sund's Gentlemen Only is a varied collection for men's choir, covering all genres from pop to gospel and jazz to classical music. It contains, among others, a vocal arrangement of Brahms' Hungarian Dance No. 5 as well as She's leaving home by the Beatles or Piaf's La vie en Rose. In the last decades, Sund arranged all the pieces for his chamber choir 'Orphei Drängar'. Now these successful a…

A fantastic selection for treble choirs. This beautifully sorrowful Robert Frost poem has been captured by the composer's melody and accompaniment. Nice polyphonic vocal writing creates good texture while being singable. The addition of the cello reflects the voice of sorrow. / Choeur SSA Et Violoncelle

Par OHLSEN E. / SPENCER. Drury's Accords (Anonymous); Duncomb's Galliard (Anonymous); Merry Mood (Anonymous); Fancy (John Daniel); My Lord Willoughby his welcome home (John Dowland); La vecchia pavan (John Johnson); Echo (Francis Pilkington); Plainsong (Thomas Robinson); Toy (Thomas Robinson). These duets, of varying difficulty, have been transcribed from their lute origins by Oscar Ohlsen and edi…

Par HOLLIGER HEINZ. Heinz Holliger has dealt intensively with Friedrich Hölderlin and Robert Schumann. The third movement of his Partita, a Barcarole, is preceded by the motto: ‘We should let ourselves be cradled | As if on a boat rocking on the sea.’ These lines have been taken from the poem ‘Mnemosyne’ (Memory) by Hölderlin. The piece starts in the rhythm of old gondola songs. But sometimes it l…

Description This spectacular collection features blockbusting themes from all your favourite silver-screen classics! From the show-stopping pieces of the compelling Shine , through the seedy Jazz of LA Confidential to the suave Ocean's Eleven and the dramatic Apocalypse Now , who can forget these marvellous music moments that have provided depth and character to such celluloid masterpi…

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …