If youre looking for a comprehensive collection of the best classical guitar repertoire, this is it! Each piece is written in standard notation (no tab) and includes essential right- and left-hand fingerings. This collection includes compositions by J.S. Bach, Augustin Barrios, Matteo Carcassi, Domenico Scarlatti, Fernando Sor, Francisco Tárrega, Robert de Visée, Antonio Vivaldi and many more. / G…

If you're looking for a comprehensive collection of the best Baroque guitar repertoire, this is it! This one-of-a-kind collection includes selections by Johann Sebastian Bach, Robert de Visée, Ernst Gottlieb Baron, Santiago de Murcia, Antonio Vivaldi, Sylvius Leopold Weiss and more. Each piece is written in standard notation (no tab) and includes essential right- and left-hand fingerings. / Date p…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

A Portrait Of Master Guitarmaker Robert Benedetto. Par DOYLE WILLIAM. Over 4 hours of content on 2 DVDs featuring: A two-hour documentary of Bob Benedetto including a complete biography, interviews with family, friends, players and industry professionals, archtop guitar construction/innovations, and his relationship with Fender Musical Instruments and The Benedetto Players. The Making of Anima e C…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Robert D. Vandall's four duet fantasies on classic carols have now been compiled into one spectacular collection. These extended fantasies incorporate exhilarating rhythms and unexpected harmonic changes, making them fantastic performance vehicles for early intermediate to late intermediate pianists. Careful balancing of the primo and secondo parts gives both performers a chance to shine. Titles: …

Voici trente ans que le conte musical de Philipe Chatel existe et il n'a rien perdu de son charme lunaire. Entre Le Petit Prince et Alice au pays des merveilles, Émilie Jolie raconte l'histoire d'une petite fille aux cheveux dorés comme un champ de blé qui s'imagine un monde merveilleux pour fuir sa peur du noir. Un soir, tous les personnages de son livre d'images prennent vie : des lapins bleus, …

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par BREWER HERBERT A.. Organist of Gloucester Cathedral from 1896 till his death in 1928, as well as composer, choir-trainer, adjudicator and teacher, Sir Herbert Brewer was involved for over three decades with the Three Choirs Festival, and his Memories of Choirs and Cloisters offers a vivid account of the planning and execution of the festivals in that time, those at Gloucester in particular. T…

a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemi…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…