Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passions…

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passions…

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passions…

Benjamin Britten ' cantate Mesa : Carmen Basiliense' était composée et didicated à l'Université de Bâle pour la célébration de son 500e anniversaire. Le texte Latin a été compilé de la Charte de l'Université et des oraisons plus âgés à la louange de Bâle. / Solistes (SATB), Choeur Et Orchestre

Messa d'morti. Par DURANTE FRANCESCO. The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requie…

Fifty Carols for Sopranos and Altos. Par WILLCOCKS DAVID / RUTTER JOHN. 50 chants pour les sopranos et altos (adapté pour les garçons, des filles, ou des choeurs de femmes). Il contient des dispositions essentiellement simple des chants les plus aimés, les autres moins connus, et quatre pièces originales de Britten (2), Rutter et Hadley. La plupart des cantiques de Noël sont présentés en deux vers…

Par BEDNALL DAVID. David Bednall 's Shall I Compare Thee To A Summer's Day? for SATB double choir unaccompanied. A setting of Shakespeare 's much-loved Sonnet 18, Bednall 's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the wa…

Par MARTIN MATTHEW. Written for the choir of New College, Oxford, Ut Unum Sint! (That they may be one) sets words from St John’s gospel in which Christ prays that all may be one. This was the title of Pope John Paul II’s encyclical on church unity. Combining atmospheric sections with more dramatic material, it was given its first performance by the choir of New College in St Peter’s, Rome in June …

For the setting of Lux Aurumque, the composer chose the Latin translation of an Edward Esch poem, enhancing the elegant simplicity of this new work. The tight harmonies will need to be carefully balanced by a well trained a cappella choir. Suitable for an advanced high school choir and beyond. Moderately difficult. / Choeur SATB A Cappella

Motette Nr.10 aus 'Israelsbrünnlein'.
Ausgabe : Singpartitur, Spielpartitur
Herausgeber : Adrio, Adam
Einband : geheftet
Instrumentierung : Gemischter Chor-SATB, Basso continuo

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Bapt…

Par TOMPSETT BEN. Peter Sculthorpe's programme note reads as follows 'Lullaby is based upon one of the number of indigenous Australian melodies collected by Dr H. C. Lethbridge during the 1930s and is a lullaby for children victimised by war. It opens with several statements of indigenous melody, the words lovingly entreating children to embrace sleep, as night falls. This is followed by a short c…

Par HAYDN FRANZ JOSEF. / Répertoire / SATB, Choeur Mixte à 4 Voix et Orchestre