Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest?(BA 10258) and 'The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation.Thanks to their festive and majestic structure befitting the occasion as well as…

La renommée de Carl Maria von Weber repose principalement sur, Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres ouvrages et a contribué à augmenter leur chute dans l'oubli. Certaines oeuvres comme, Preciosa ',, Oberon ', et, Euryanthe', les ouvertures, concertos solistes et sonates pour piano, le lied et de la chambre de travaille connu une grande popularité et ont é…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) composed this Mass, Op. 36 in 1878 for the St Sulpice church in Paris. The initial two choirs for which it was composed were comprised of around 200 and 40 voices, while the score for this version is for a choir of baritones and an SATB choir. The Organ part requires an advanced-level of ability as it contains some difficult parts. Divided i…

Par RUTTER JOHN. for SATB and piano or orchestra This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings, while the piano part complements the vocal lines with rich, luscious harmonies. An accessible and enjoyable option for mixed choirs. Orchestral material is available on hire./ Feuillet / Choeur …

A classic from the golden age of the show tune, Smoke Gets In Your Eyes is a soulful and sophisticated number originally written by Jerome Kern and Otto Harbach for the musical Roberta. Over the years the song has been covered by Bryan Ferry, Jerry Garcia, and was a 1958 chart topping hit on both sides of the Atlantic for doo wop group, The Platters . With a deep dynamic range and rich, floating h…

Par OLSEN TAWNIE. for upper voices (SSAA) and SATB (with divisions) unaccompanied This innovative setting of the Magnificat celebrates the strength of teenage girls and is suitable for both liturgical and concert performance. The upper-voices sing in the style of Bulgarian choral folk music, using a visceral sound that contrasts with the SATB choir. / Date parution : 2022-03-05/ Répertoire / SSAA …

A lively song that is quintessentially American, the excellent vocal writing makes the arrangement both rowdy and well-constructed. Accessible to many choirs and a blast to learn and sing! From the Amanda Quist Choral Series. / Choeur Mixte (SATB)

For more ambitious choirs who would like to emulate the sound of Anonymous 4, this piece uses chant-like singing and beautiful polyphonic Vocal writing that emphasizes the purity of the voice through the evocative Latin text by Hildegard von Bingen. / Choeur Mixte (SATB)

Nonsense syllables and passages for various forms of laughter make this a highly entertaining work for both singers and listeners. Challenging and quick rhythms make this a great selection for good high school choirs and above. / Choeur Mixte (SATB) Et Percussions

Par WOOLRICH JOHN. This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch End Festival Chorus in 1993. John Woolrich interweaves various folk texts in his lilting musical setting, which juxtaposes the peacefulness of sleep with moments of anxiety and tension for the parent whose son is far from home. The Faber Choral Signature Series introduces a wealth of new or recently …

From La La Land. Par HURWITZ / PASEK / PAUL. Audition (The Fools Who Dream) is a song from the hugely popular musical film La La Land. In the film, it is performed by Emma Stone. This artist-approved choral version has been arranged for soprano, alto and combined men's voices with a straight-forward piano accompaniment. It forms part of the Faber Choral Singles series and is ideal for choirs of an…

This rich arrangement with well-designed harmonies is equally appropriate for jazz, show, and concert choirs. Certainly one of the best musical theater love songs of all time! / Choeur Mixte (SATB) A Cappella