In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

Par MOZART WOLFGANG AMADEUS. This collection draws together six of the great accompanied motets by Mozart, expertly edited by scholar Denis McCaldin. Originally written for choir and orchestra, these motets are here made available for the first time with alternative keyboard accompaniments. Includes the classic devotional motet Venite Populi for double-choir and contemplative gradual Sancta Maria,…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

Tonalité : C-Dur -. Par SCHEIDT SAMUEL. Gattungen: Kirchenlieder, Sätze, Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB/SATB

Tonalité : C-Dur -. Par SCHEIDT SAMUEL. Gattungen: Kirchenlieder, Sätze, Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB/SATB

Tonalité : C-Dur -. Par SCHEIDT SAMUEL. Gattungen: Motetten, Psalmen, lateinisch - Verwendung / Anlässe: Psalmvertonungen - Verwendung / Kirchenjahr: Himmelfahrt - Langue : Latin / Mottet / Répertoire / Choeur SATB/SATB

Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Kv 321. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By the rivers of Babylon' was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions – the first version in Latin and a much later…

Par PART ARVO. Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also falling into that category) composed in English. Taken from Jesus' Sermon on the Mount, as found in Matthew 5:1-12, The Beatitudes provide a fitting structure for Pärt's setting. Each …

Novello Choral Pops: Christmas Pops For Female Choirs features five superb arrangements of Christmas favourites for female voices, guaranteed to add sparkle and glitz to every choral concert.Wonderful Christmastime is a typically melodic Paul McCartney number composed for the holiday season. All I Want for Christmas Is You evokes Mariah Carey or, for devotees of the film 'Love Actually', the adole…

A useful new resource for choirs, the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is perfect for groups of all sizes and abilities. The pieces in this exciting collection have been carefully chosen to offer a selection of interesting contemporary works alongside older and more well-known anthems. It is recognised that many choirs have limited rehearsal time and, frequently, l…