An original, flowing ballad with a text about life, 'moving forward like a river running free'. Simple part writing in all voicings. The haunting opening and closing may be sung by a soloist or soloists of any voice part. Add two flutes (included in the publication) for a sensitive accompaniment. Great melody...lovely to sing for any age choir. / Choeur Mixte (SATB)

Kantate Zum 14. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 78/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Tonalité : B-Dur - D 730. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Tantum ergo - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Kantate Zum 14. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 78/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Kantate Zum 14. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 78/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Written for Stephen Cleobury and the Choir of King's College, Cambridge. Piano part on the score for rehearsal purposes only / Choeur Mixte (SATB)

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Music Book for Mixed Choir 77 arrangements for mixed voices (SATB) Arranged by Lorenz Maierhofer With lyrics and chords Intermediate level of difficulty ISBN 9783850616447, ISMN 9790502022006, publisher's no. C6413 Format: 20 x 27 cm Pages: 392 / Helbling Verlag

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Par PART ARVO. Nunc dimittis - The canticle of Simeon - interpreted by Arvo Pärt for choir a cappella./ Répertoire / Choeur SATB

Kantaten. Urtext Der Neuen Bach-Ausgabe. Par BACH JOHANN SEBASTIAN. Als eine der beliebtesten und bekanntesten Kantaten Bachs ist sie mittlerweile zu einem unersetzlichen Repertoirestück geworden. Besondere Berühmtheit erlangten dabei neben dem lebendigen Eingangschor und den ausdrucksvollen Arien die beiden Choralsätze „Wohl mir, dass ich Jesum habe' und „Jesus bleibet meine Freude'./ Répertoire …

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Kantate Zum 22. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 115/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

/ Soli (SATB), Choeur Mixte (SATB) Et Orchestre

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…