Tonalité : Es-Dur - D 962. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Tantum ergo - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

The Vocal Score for the Franco-Swiss composer Richard Dubugnon's brilliant choral work, Adoration De La Croix. Richard Dubugnon was born in 1968 and began his musical studies with the Double Bass and in composition. He studied at the Paris Conservatory and then the Royal Academy of Music before turning to teaching for seven years. The winner of numerous awards, as well as seeing his work performed…

Kantate Zum 17. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 114/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Four treasured carols from Wales, England, and Ireland comprise this colorfully arranged Christmas medley (three-and-a-half minutes in length). The slow-fast-slow-fast form is carefully constructed for choir alone, band alone, or a combined performance. An elegant and timeless treat for the holidays. / Choeur Mixte (SATB)

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Tonalité : B-Dur - D 730. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Tantum ergo - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

/ Soli (SATB), Choeur Mixte (SATB) Et Orchestre (II/6)

Kantate Zum 15. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Wicker, Jutta (Trad.) - BWV 99/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Tonalité : B-Dur - D 730. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Tantum ergo - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Par PURCELL HENRY. Opera/ Répertoire / Solistes, Choeur et Orchestre

Tonalité : Es-Dur - D 962. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Tantum ergo - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available./ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Cla…

/ Partition D'Orchestre

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…