Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were …

aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were …

Par BURTON KEN. British composer Ken Burton uses the writing of Paul Laurence Dunbar (1872–1906), the black American son of emancipated slaves, in his 3-minute work A Prayer. The text of the three verses is bitter-sweet, filled with hope and sadness, and the music combines with this to make a rhythmically simple reflective evening hymn. Burton draws on Spiritual, Gospel and Blues to write a piece …

Arrangeur: Jonathan Wikeley. Pop Carol Singing is the indispensible collection for carol singers who wish to add to the lighter side of their repertoire. Equally suitable for school and community choirs, or for those who want to get together for a good sing, these 24 simple, SATB arrangements have been specially designed to be hugely effective in performance, but equally easy and quick to learn. T…

Par PART ARVO. Arvo Pärt's The Woman with the Alabaster Box for mixed choir SATB a cappella. This work is Arvo Pärt's beautiful musical interpretation of the anointing in Bethany (the Gospel according to St Matthew 26, 6-13)./ Répertoire / Choeur SATB

Arrangement for SATB and for TTBB choir by Robert Ames (2021). Par GUDNADOTTIR HILDUR. / Date parution : 2022-03-15/ Répertoire / Chœur SATB et TTBB

Richard Rodney Bennett sets the text of popular sixteenth-century Christmas carol, Coventry Carol , for SATB chorus unaccompanied. Commissioned and first performed by YiRu Hall and the Portsmouth Grammar School Chamber Choir at Portsmouth Cathedral on 14 December 2011. / Choeur SATB

Par BUXTEHUDE DIETRICH. Das neugeborne Kindelein (The newborn babe, the heavenly child) (BuxWV 13) for Mixed choir (SATB), Strings, Basso continuo Dietrich Buxtehude (1637-1707) was Organist of the St Marien church in Lubeck from 1668 until his death. He wrote many works for specific secular occasions, feasts and celebrations etc. and although his positon did not require him to compose vocal music…

Oratorio. Par TIPPETT MICHAEL SIR. L'oratorio ' A Child of Our Time ' était de Tippett artistique et émotionnel des événements qui ont conduit à la ' Nuit de cristal ' pogrom de novembre 1938. Pour son oratorio Tippett utilisé comme son formelle et historiques modélise les Passions de Bach et Messia Haendel/ Répertoire / Choeur Mixte (SATB/SATB), Solistes (SATB) et Orche

13 Jazz Standards for mixed choir SATB. / Recueil / Choeur Mixte (SATB) et Instruments Ad Libitum

Lyrical and lovely, this anthem from Jean Anne Shafferman is easily prepared but will make any choir sound full. Its formal structure is that of a chaconne, an historical form that was a favorite of early Baroque composers. The anthem's voicing is flexible, performable as SATB or SAB. / Choeur Mixte (SATB)

Par MURPHY RYAN. for SATB chorus and orchestra This joyous arrangement of a traditional spiritual for choir and orchestra is propelled by a light swing tempo. The mood grows more and more euphoric with each succeeding stanza of text, and the uplifting music surges towards an opulent conclusion. / Date parution : 2021-12-09/ Répertoire / Choeur SATB et Orchestre