Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Par MOZART WOLFGANG AMADEUS. Tonalité : B-Dur - Horn, Paul (Arr. ) - KV 275 (272b)/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Federhofer, Hellmut
Binding : stapled
Instrumentation : Soprano solo, Mixed Choir (SATB), Piano

From our popular Fanfare and Concertato series comes this confident call of faith. The journey of promises in the text place the people of God marching to life everlasting. Though intended for choir and congregation, the anthem works just as well as a standalone. Accompany with the optional brass and handbells and make this a wonderful worship exclamation a festive opportunity for all. Superb! Sco…

/ Soli (SATB), Choeur Mixte (SATB) Et Orchestre

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Kantate Zum 14. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 78/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Fassung für Sinfonieorchester. Par FAURE GABRIEL. Version for symphony orchestra: 60 min; Church version: 35 min Gabriel Fauré's Requiem, Op. 48 for SATB and Piano. Version for Symphony orchestra. The Requiem of Gabriel Fauré is undoubtedly the most important opus among the sacred works of this French master. Beginning with the first performances during the composer?s lifetime, it is one of those …

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Tonalité : Es-Dur - D 962. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Tantum ergo - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 (114a) von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis (mit Blechbläser), wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks …

The Vocal Score for the Franco-Swiss composer Richard Dubugnon's brilliant choral work, Adoration De La Croix. Richard Dubugnon was born in 1968 and began his musical studies with the Double Bass and in composition. He studied at the Paris Conservatory and then the Royal Academy of Music before turning to teaching for seven years. The winner of numerous awards, as well as seeing his work performed…