B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Par MOZART WOLFGANG AMADEUS. Tonalité : B-Dur - Horn, Paul (Arr. ) - KV 275 (272b)/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Sally Lamb McCune has arranged three timeless American folk songs for mixed choir, piano, snare drum, piccolo and optional strings. This can be performed as a set: 1) Simple Gifts- 2) When Johnny Comes Marching Home- 3) Get Off the Track- or each piece can be sung individually. Historical notes included from the arranger offer a solid beginning for further study for you and your singers. / Choeur …

Tonalité : D-Moll - Kv 65 (61A). Par MOZART WOLFGANG AMADEUS. Gattungen: Missa brevis, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Par MOZART WOLFGANG AMADEUS. Tonalité : B-Dur - Horn, Paul (Arr. ) - KV 275 (272b)/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Tonalité : D-Moll - Kv 65 (61A). Par MOZART WOLFGANG AMADEUS. Gattungen: Missa brevis, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Tonalité : D-Moll - Kv 65 (61A). Par MOZART WOLFGANG AMADEUS. Gattungen: Missa brevis, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Par RATHGEBER JOHANN VALENTIN. Tonalité : C-Dur - Opus : 19 #1 - Dotzauer, Wilfried (Arr.) -/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Tonalité : D-Dur - Horn, Paul (Arr.) - Kv 194. Par MOZART WOLFGANG AMADEUS. Gattungen: Missa brevis, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Par EBERLIN JOHANN ERNST. Gattungen: Messen, lateinisch, Missa brevis, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

In this anthem based on the Great Commission, the opening curtain-raising gesture in the accompaniment is a call to purpose, introducing a hymn-like tune in strong unison. A powerful song of commitment and discipleship, this one would be a thoughtful option for festival choirs, or a perfect choice for missions and evangelism-based services. Inspiring! Score and Parts (fl 1-2, ob, cl 1-2, bn, tpt 1…

Version Hellmann/Koch. Par BACH JOHANN SEBASTIAN / KOCH JOHANNES H.E.. Reconstruction [based parodies] of Bach's St. Mark Passion by Diethard Hellmann [1964], with new composed recitatives [texts of the evangelium] and turba choirs by Johannes Koch [1999]. The words of Jesus are accompanyed by 2 gambas and organ./ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Par KRAUS JOSEPH MARTIN. Joseph Martin Kraus [1756 1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen, Odenwald. This followed the Miserere of 1773, and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical ?Sturm und Drang.? With all its youthful unconcern towards compo…