Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referr…

Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referr…

Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referr…

Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referr…

Par MAHLER GUSTAV. One of the last composers of the great Romantic tradtion, Mahler possessed a strong sense of the dramatic in life, he chose to record that drama in nine magnificent symphonies, all works of vivid orchestration, innovative symphonic structure, and rich emotional expression. Presented here the Symphony No. 1 in D Major, 'Titan' is in full score with bar-numbered movements and ampl…

Miniature Score of D759 'Unfinished' and D944 'The Great'. Par SCHUBERT FRANZ. The least schooled of the great German musicians, Schubert amply compensated for his lack of formal training with his keen musical intuition and limitless melodic invention. This volume comprises two of his greatest and best-loved orchestral works. Although the Unfinished consists of only two movements, it is one of the…

Par BEETHOVEN LUDWIG VAN. Renowned for its celebrated slow movement, Symphony No. 7 in A Major, Op. 92 is one of his most popular works. Written in 1812, at the peak of his power, it demonstrates the mastery of a mature artist in complete control of his craft. Reprinted here from the authoritative Litolff edition, this work appears in full score, with bar-numbered movements and ample margins at th…

Par BRAHMS JOHANNES. The conductor Hermann Levi, a friend of Brahms, prepared a piano-vocal score of the work in 1871, prior to the works publication. Brahms revised it upon receiving it. He wanted a symphonic sound from the piano part; what he created fully corresponds to the monumentality of the Song of Destiny. Piano Vocal Score by Hermann Levi und Johannes Brahms. New Edition with a preface by…

The set of parts for the original version of Miranda's Lament . Composed in 1997, the piece is part of 'The Tempest Songbook' and was dedicated as a birthday present for Paavo Heininen. The score for this edition is available with catalogue number CH61440. The score and parts for Saariaho's 2000 edition are also available using catalogue numbers CH69938 and CH69938-01 respectively. / Soprano, Clar…

Canto e pianoforte . Par VIVALDI ANTONIO. Complete Vocal score of the celebrated Baroque Oratorio Gloria, conceived around 1713 as part of Antonio Vivaldi's responsibilities as maestro di violino of Venice's Pio Ospedale della Pietà. This Vocal Score edition includes a Piano reduction of the original orchestral score./ Répertoire / Choeur

in Full Score. Par TCHAIKOVSKI PIOTR ILITCH. Two contrasting works from the composer, in full score. Authoritative Russian editions. Two contrasting works from the composer, in full score. Authoritative Russian editions./ Répertoire / Orchestre