| Romances In F Major And G Major For Violin And Orchestra Op. 50, 40 (BEETHOVEN LUDWIG VAN) Orchestre, Violon Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven's 'Romances' are performed all over the world, yet how many conductors, performers and listeners are aware that op. 50 which was incidentally composed before op. 40, comes down to us in an unfinished form' The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The pe…
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| Carae Rosae, Respirate Rv 624 (VIVALDI ANTONIO) Soprano Solo, Cordes Et Basse Continue Ricordi
Critical edition by Michael Talbot. This motet for soprano, strings and basso continuo, is the only one by Vivaldi to be preserved outside Italy. It is included in two manuscript collections in London: a set of parts in the Royal College of Music and a score in the British Library. The structure is the conventional one of two arias enclosing a short recitative and followed by a brilliant Alleluia.…
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| Concerto Per Flauto Traversiere, Archi, Bc Rv 431A (VIVALDI ANTONIO) Flûte Traversière Cordes et Basse Continue Ricordi
a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemi…
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| Campra A. - Cantate Enee & Didon - Soprano, Basse, Bc- Fac-simile Fuzeau ANNE FUZEAU PRODUCTIONS
Sixième cantate à deux voix, Enée et Didon : Voix de dessus, voix de basse, basse continue. Edition : Paris, C. Ballard, 1714. Présentation de jean Saint-Arroman : Prosodie et agrémentation chez Campra. Cette cantate a été isolée du second livre, parce qu'elle figure au programme de l'Agrégation et du Capes. Le second livre sera publié ultérieurement en entier. Compositeur : CAMPRA André Aute…
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| Pieces De Clavecin Lp78 (FIOCCO / PETECH) Clavecin [Partition] Heugel
Par FIOCCO / PETECH. Harpsichord Pieces, LP. 78 is a set of works for Harpsichord, written by Joseph Hector Fiocco and edited by Diana Petech. This edition includes a really complete preface, with comments and advice to work through this book and explanations of all the symbols that can be found in it. It features 24 pieces divided in two suites, with the second suite set in a more traditional lay…
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| Cantate Enée Et Didon (CAMPRA ANDRE) Musique De Chambre, Voix Et Basse Continue (Dessus Et Basse) Anne Fuzeau Productions
Edition : Paris, C. Ballard, 1714.Présentation de jean Saint-Arroman : Prosodie et agrémentation chez Campra.Sixième cantate à deux voix, Enée et Didon : Voix de dessus, voix de basse, basse continue.Cette cantate a été isolée du second livre, parce qu'elle figure au programme de l'Agrégation et du Capes. Le second livre sera publié ultérieurement en entier. / Musique De Chambre, Voix Et Basse Con…
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| Deutsche Messe (SCHUBERT FRANZ) Chorale SATB [Partition] Barenreiter
Par SCHUBERT FRANZ. Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly sl…
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| Song For St. Cecilia?s Day (HAENDEL GEORG FRIEDRICH) Soli, choeur mixte et accompagnement Barenreiter
Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal Score) Following ?Alexander?s Feast? (1736), in 1739 Handel produced a second setting of the ?Ode to St Cecilia? (?Song for St Cecilia?s Day?). At its première it was combined with ?Alexander?s Feast?. Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of prais…
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| Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months b…
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| School Of Bowing Technique Op. 2 (SEVCIK OTAKAR) Violon Barenreiter
The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in…
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| Peer Gynt Suites - Version For Piano Four-Hands (GRIEG EDVARD) 1 Piano, 4 mains G. Henle
Grieg's incidental music for Henrik Ibsen's drama 'Peer Gynt? contains some of his best-known compositions, such as 'Morning Mood? and 'In the hall of the Mountain King?. Grieg later extracted the most beautiful pieces to form two orchestral suites and arranged himself these versions for piano solo and piano four-hands. There was a surprise in store for us when we were preparing our Urtext edition…
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| Improvisations On Hungarian Peasant Songs Op. 20 (BARTOK BELA) Piano seul [Partition] G. Henle
Op. 20. Par BARTOK BELA. After his 15 Hungarian peasant songs (HN 1404), these Improvisations on Hungarian peasant songs are the second of Bartók'
s works to feature the words '
Hungarian peasant songs” in their title. The manner in which he confronts folk melodies with subtle, avant-garde sounds here was later described by Bartók himself as venturing to '
the outermost limits”. He also breaks up …
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| Sonatas In F Minor And E-Flat Major For Viola And Piano Op. 120 (BRAHMS JOHANNES) Alto, Piano Barenreiter
Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted vio…
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| Sonata E Minor, Op. 38/1 (ROMBERG BERNHARD-HEINRICH) Violoncelle, Piano Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a v…
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| School Of Bowing Technique Op. 2 (SEVCIK OTAKAR) Violon Barenreiter
The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in…
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| St. John Passion "O Mensch, bewein" BWV 245.2 (BACH JOHANN SEBASTIAN) Voix et Orchestre [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. The St. John Passion, Bach’s first passion oratorio, can hardly be understood as “one” work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer‘s direction and for every one of these occasions it was revised – sometimes quite substantially.
This edition presents the St. John Passion in its second version of 17…
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| School Of Bowing Technique Op. 2 (SEVCIK OTAKAR) Violon Barenreiter
The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in…
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| Dido and Aeneas (PURCELL HENRI) Solistes, SATB et Piano Bärenreiter
Par PURCELL HENRI. The opera “Dido and Aeneas”, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at …
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| Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists…
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| Matthäus-Passion Bwv 244 (BACH JOHANN SEBASTIAN) Piano seul Barenreiter
Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance with his arrangement and performance of the 'St Matthew Passion?. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere in Leipzig's Thomaskirche. A second arrangement was performed in Leipzig in 1841.Originally only available on hire as part of the edition…
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| Songs II For Low Voice And Piano (DVORAK ANTONIN) Piano, Voix Barenreiter
Following the publication of Dvorák's early set of love songs 'Cypresses?, all his other songs with piano accompaniment are now appearing in Urtext editions.'Songs II? includes the mature works from Dvorák's late period. Besides the well-known cycle 'Love Songs? and the less well-known cycle 'Three Modern Greek Songs?, the volume also contains some entirely unknown and previously unpublished piece…
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| PIANO QUARTET E FLAT MAJOR OP (DVORAK ANTONIN) (DVORAK ANTONIN) Piano Quatuor: piano, 2 violons, violoncelle [Partition] G. Henle
Par DVORAK ANTONIN. For several years following composition of his first piano quartet, Dvorák?s publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock?s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harm…
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| Beatus Vir Rv 597 (VIVALDI ANTONIO) Piano, Voix Ricordi
The present reduction derives from the critical edition of the full score published in this catalog in 2002 (PR 1367). The Beatus vir in C major RV 597 is composed on Psalm 111, is a prominent member of a group of around 13 sacred vocal works by Vivaldi composed in a period running from the second half of the 1720s into the early 1730s even if it is not possible to establish their right destinatio…
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