Opus 132. Par SCHUMANN ROBERT. Aucun poème romantique, aucun personnage de conte particulier n’a incité Schumann à écrire cette composition. On peut supposer aujourd’hui que le titre de ces pièces tout d’abord intitulées «Romanzen» voulait seulement évoquer un monde poétique, féérique. Probablement inspiré par le «Kegelstatt-Trio» K. 498 – «Trio des Quilles» – de Mozart, Schumann avait nourri inte…

Par HAHN REYNALDO. Along with Piano music, song is Reynaldo Hahn's (1874-1947) preferred genre: with his light Baritone voice, the young prodigy conquered Parisian salons by singing the works of his favourite composers (Gounod, Massenet, Fauré), not to mention his own compositions, which enchanted audiences. Though finely wrought, these songs have a naturalness which continues to please, as eviden…

Par JOHNSON TIMOTHY. Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great go…

Here is a sizzling Latin-jazz original from writer Earl Fox. 'Con Slancio,' which means 'with enthusiasm,' starts out big and bold and just keeps on coming! Featuring solid scoring, commanding harmonies, and a tasty trumpet solo, this is marching band at its best! / Marching Band

Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers abo…

Par CURNOW JAMES. This impressive work by James Curnow abounds with the spirit and enthusiasm designed to elevate the body, mind, and spirit of all who hear it! At times intimate, at others exuberant, this piece has all the makings of a strong concert or contest selection. Highly Recommended! / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Spiritui Sancto - O Rubor Sanguinis - Favus Distillans - Studium Divinitatis - Unde Quocumque (transp.) - Unde Quocumque (orig.) - De Partia - Deus Enim In Prima - Aer Esim Volat - Et Ideo Puelle - Deus Enim Rorem - Sed Diabolus - O Ecclesia - Cum Vox Sanquinis / Choeur A L'Unisson

Aus: Messias (Nr. 12-15). Par HAENDEL GEORG FRIEDRICH. Tonalité : C-Dur -/ Répertoire / Solo S, Choeur SATB, 2 Trompettes, 2 Violons, Alto

Tonalité : E-Dur -. Par REICHA ANTON. Zu den großen, wenn auch kaum bekannt gewordenen Te Deum-Vertonungen der Übergangszeit zwischen Klassik und Romantik gehört zweifellos auch das zu seiner Zeit ungedruckt gebliebene Te Deum von Antonin Rejcha von 1825, das hier als Erstausgabe vorliegt. Schon die Grundtonart E-Dur hebt das reich besetzte Werk von vielen anderen Vertonungen des 'ambrosianischen …

Dernière année de Mozart a été difficile, car son emploi était précaire, sa situation financière généralement assez désespérée, et son épouse Constanze fréquemment en mauvaise santé et à la station thermale de Baden, près de Vienne, pour des traitements. Sur une de ces occasions en Juin de 1791, Mozart lui a rendu visite et alors qu'il compose un hymne courte sacramentelle pour son ami Anton Stoll…

Par HAENDEL GEORG FRIEDRICH. Aus Dem Oratorium 'Der Messias' / Date parution : 1974-03-01/ Répertoire / Choeur SATB, 2 Trompettes, Timbales, 2 Violons, Al

for Flute, Violin and Piano. Par VALI REZA. Originally written for voice, lute, oud, harp and percussion, this four-movement, instrumental-only version for flute/clave (with optional doubling on Persian ney), violin and piano was written for Iranian flutist Arya Bastaninezhad. Aside from the original, one more version for voice, guitar, percussion, harp and piano is available from the publisher. /…

Aus: Die Deutsche Liturgie. Par MENDELSSOHN-BARTHOLDY FELIX. For the Protestant church service according to the new Prussian Agenda of 1829 Mendelssohn set to music the Kyrie, Gloria, Sanctus, Honour to the Father and various Amens and Alleluias. The entire printing with all the orders of service in the complete edition of the German liturgy make it easy to integrate these pieces even today into a…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Aus: Messias (Erster Teil). Par HAENDEL GEORG FRIEDRICH. Tonalité : D-Dur -/ Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle ou Contr