Arr. Frederik Kampstra. Par BULLA STEPHEN. Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser, and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure …

Par JACQUES MICHAEL. Michael Jacques studied with Sir Lennox Berkeley at the Royal Academy of Music. His material shows considerable understanding of working with young people./ Répertoire / Violoncelle et Piano

Par HOSAY JAMES L.. A major piece to feature your Clarinet section! James L. Hosay has used his considerable compositional skill beautifully in creating this exuberant new offering for your band. It’s a great showpiece for your reeds, but it leaves no one behind when the fun begins. The Baroque and Classical underpinnings of this original composition open the door for a wonderful educational encou…

Par BEETHOVEN LUDWIG VAN. Beethoven gave this sonata the unusual title “Sonata quasi una Fantasia, ” which it shares, along with its opus number, with the considerably more famous “Moonlight” Sonata. Both sonatas – along with the preceding sonata with the funeral march op. 26, and the three sonatas op. 31 soon to follow – usher in Beethoven ’s conquest of new musical territory in this genre. With …

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Par PARRY CHARLES HUBERT. Edited by Jeremy Dibble A key figure in the so-called English Musical Renaissance, Parry was a considerable composer of chamber music. His three violin sonatas, the first of which, in d minor, is here published for the first time, along with the Fantasie-sonata and Sonata in D major, date from the 1870s and 80s, and are contemporary with his four symphonies and setting of…

A Crash Course in All Musical Styles for Drumset. Par RILEY JIM. If you are a drummer looking to expand your knowledge of musical styles, Survival Guide for the Modern Drummer is the book for you. From pop to country, metal to jazz, and Latin to Motown, Jim Riley (drummer and musical director for Rascal Flatts) has crammed his considerable stage and studio experience into this amazing resource. Th…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Par SHEPPARD JOHN. Edited by David Chadd The music of John Sheppard, who was about ten years younger than Tallis, dates from the uncertain times of the Reformation and the reigns of Edward VI and Mary. Perhaps his most impressive work is to be found in his cantus firmus responds, which reflect the considerable musical importance that some choral foundations attached to Matins and Vespers on specia…

Par HENSEL FANNY. Although best known as the sister of Felix Mendelssohn, Fanny Mendelssohn Hensel (1805-47) was a virtuoso pianist and a composer of considerable merit in her own right. Her oeuvre of more than 400 compositions remained largely unknown for more than a century after her untimely death, and her newly rediscovered reputation as a composer rests chiefly with her Piano music. This volu…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Par CRAXTON J. / RICHARDSON A.. The First Book of Oboe Solos has been complied with the true beginner in mind, and it should be possible to use this book from the very first lesson. The stylistic range is as wide as is compatible with technical considerations and original pieces have been specially written in the absence of other suitable material. / Niveau : Facile / Recueil / Hautbois et Piano

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Par RAE JAMES. James Rae's eminently successful tutor Introducing the Clarinet was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now, complementing the tutor, James Rae has produced these three volumes to introduce the beginner clarinettist to ensemble playing. The parts are of the same te…

Par CURNOW JAMES. A powerful statement in recognition of the allied D-Day armada! There are so many musical considerations that make this piece an extraordinary teaching tool, let alone the cross-curricular tie-ins with the history department! The contrasts of style, dynamics, articulations, and harmonic balance make it a superb learning experience with an important historical connection. Perfect …