La référence FP 281 de l'éditeur Fertile Plaine dont l'auteur célèbre est Dondeyne Désiré, qui a pour titre Tryptique pour harpe solo et sextuor ( Flute, hautbois, clarinette, cor, basson, contrebasse ), a été écrite et composée pour Harpe et plus particulièrement pour Harpe Et Instruments Divers. Cette partition musicale appartient à la catégorie Classique. / Harpe Et Instruments Divers / Partiti…

Partition classique pour piano Jean-Sébastien Bach: Air en Ré majeur de la suite orchestrale n° 3, BWV 1068 Pour piano solo Arrangement de Thomas A. Johnson Niveau de difficulté moyennement élevé ISMN: 9790577085623, n° d'édition: EP7110 Format: 23 x 30,5 cm 4 pages / Edition Peters

Modern classics for piano Works by 20 composers of the 20th and 21st centuries For piano solo In standard notation Medium difficulty ISMN9790006525898, Publisher No. BA 8762 Format: DIN A4 103 Pages / Bärenreiter

Cette partition 1ER SOLO DU 19E CONCERTO EN SOL MINEUR de Viotti Giovanni Battista a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7753. Cette oeuvre d'une durée de 00:05:00 est idéale pour les musiciens pratiquant Violon. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / 2 Violons / Partition

Par POULENC FRANCIS. For piano solo./ Répertoire / Piano

Par MARIENTHAL ERIC. Jam with Eric Marienthal These books are written to help improve improvising skills. They offer the opportunity to practice soloing with a band at your convenience witha collection of solos written over a series of different chord changes and styles such as straight-ahead jazz, funk, swing, R&B, Latin, blues and more. Giving more than just chord scales, each book gives an actu…

Par ARMACOST TIM. The ultimate guide to playing saxophone, by NY jazz artist Tim Armacost ? for anyone from beginners to professionals. Rooted in practical skills and going far beyond theory, The Jazz Saxophone Book will improve your ability to construct beautiful, flowing solo lines. The book includes access to over 30 videos of the author demonstrating ideas in the book and hundreds of example…

Par FLINT TOMMY. Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire finger…

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos …

Original Play-Along Modern Jazz Guitar Solos. Par VIC JURIS. Vic played the solos in this collection with the student in mind. Each piece is based on the changes of popular jazz standards and will serve as great etudes for learning advanced jazz soloing techniques. Students will be able to see how to build a solo, use tension and release ('outside” and 'inside” playing), build an advanced jazz voc…

Let Ivan introduce you to some important basic concepts in soloing and backup techniques for the beginner/intermediate Dobro player. In this lesson, Ivan demonstrates how to identify and remember commonly used first-position areas of the fret board, which makes it easy to find a bluegrass melody.He then explains how to incorporate rolls, slides, hammer-ons/pull-offs, and other essential dobro tech…

Par WIBERNY HEINER. Heiner Wiberny has written this joyful composition for his wife Ulla, who has a special affinity for African Music. The listener recognizes immediately the sound and flavor of 'African Highlife” and 'Latin Funk”. The composition consists of the following parts: chorale-intro, prelude, ABA-theme, transition, violin- and violasolos with 'break'-intros, prelude, AB-theme, Coda. Th…

The viola is often not credited with being able to take over a soloistic role - but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the viola as being the 'very bowels of music? and stressed that it was not only needed to 'flesh out? the orchestral sound but also as a 'concert voice, which is fully proven by the concertos and concert overtures by the famous Capell-Meister …