Dvorak's Stabat Mater is his first setting of a religious text, which was begun in 1876. The work received its first performance in 1880 in Prague. This new edition edited by Michael Pilkington follows the layout of the previous Novello edition for ease of compatibility. Vocal score with piano accompaniment. Text in Latin. Scored for Soprano, Alto, Tenor, and Bass Soloists, SATB and Orchestra. Orc…

Par . Mal Waldron, fabled pianist and accompanist to Billie Holiday, has put together a marvelous album of original blues for all players. Utilizing a crack jazz trio, he runs the gamut of blues stylings. Features fabled soloist Ed Xiques, who has toured with Liza Minnelli, Frank Sinatra, Tony Bennett and more. Come join a master in a session of true blues. Includes a high-quality printed music bo…

Par PURCELL HENRY. This new edition by Bruce Wood of the University of Wales, is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary, 1694, and is set for Soprano, 2 Counter-Tenor (Alto) and Bass soloists, with SATB and Orchestra. This vocal score features a piano/organ reduction of the orchestral score which also …

for soprano soloist, mixed choir, and orchestra or ensemble (with organ) This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all humanity, psalms…

Par GOODALL HOWARD. If ordering more than 10 copies, please call us on +44 (0)1284 725725 to check availability. Howard Goodall 's Eternal Light: A Requiem for Soprano, Tenor and/or Baritone soloists, SATB chorus, two Keyboards, Harp (optional) and Strings. Vocal score. This piece of sheet music was commissioned by London Musici (Artistic Director: Mark Stephenson) to celebrate its 20th anniversar…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Arranged for choir with one male voice. Par VIVALDI ANTONIO. Minimum de commande : 20 exemplaires. Le Gloria en ré majeur RV 589 est une des œuvres les plus célèbres de Vivaldi. Cette œuvre représentative à la manière de ce qu’on appelle « messe-cantate » se compose de 12 parties qui se différencient dans leur effectif, style, tonalité et l’émotion exprimée. Le talent de Vivaldi ressort à la fois …

Arranged for choir with one male voice. Par VIVALDI ANTONIO. Le Gloria en ré majeur RV 589 est une des œuvres les plus célèbres de Vivaldi. Cette œuvre représentative à la manière de ce qu’on appelle « messe-cantate » se compose de 12 parties qui se différencient dans leur effectif, style, tonalité et l’émotion exprimée. Le talent de Vivaldi ressort à la fois dans les parties chorales solennelles …

Par VIVALDI ANTONIO. Le présent Laudate Dominum RV 614 est écrit pour soprano et alto solos, chœur à 4 voix, 2 violons, 2 cors et continuo d’orgue. Or Vivaldi écrit sa musique à 4 parties de cordes (2 violons, alto et basse) tandis que le trio d’église (2 violons et basse) est plutôt de tradition allemande (c’est le cas de toute les messes écrites par Mozart ou Michael Haydn pour Salzbourg). S’il …

Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of the work between 1994 and 1996 for tárogató and concert band. Since this traditional Hungarian instrument is rarely found in ensembles abroad, a soprano saxophone can serve as an alternative solo instrument. The composer uses melodies from the early 18th century, from the age of Rákóczi's war of independence. An ambitious framewo…

For Soprano And Chamber Ensemble. Par SCHWANTNER JOSEPH. Détails de la formation instrumentale: Soprano solo - fl(pic). Clarinette Violon . Alto Violoncelle .pno.hp.perc(Med. Bs. Dr., Lg. Timbale, Med. Tam, Lg. Susp. Cym., Vib., Glsp., Tub. Bells, Gongs, Trgls.) - Durée: 20' -/ Répertoire / Voix, Flûte Traversière (Dbl. Piccolo), Clarinette

Par MARTIN MATTHEW. Invocation to the Holy Spirit is a short and simple work, dedicated to the memory of David Trendell. It sets two Latin texts concerning baptism and the Holy Spirit. It is an ideal piece for confirmation or baptism services as well as for the season of Pentecost. SATB with Soprano Solo / Unaccompanied. Part of Faber Music’s Choral Signature Series. / Choral Music / Répertoire /…

Par RUTTER JOHN. Pour soprano ou mezzo-soprano solo, choeur SATB et orchestre ou deux ensembles de chambre Minimum recommandé pour les forces de chaîne de l'orchestre de chambre sont 2.2.2.1.1. Scores complet, partitions vocales et parties instrumentales sont disponibles en location. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassen…