Psalm 117. Par GILL JOANNA. In this setting of Psalm 117 the composer has created an unusually serene and ethereal setting considering the meaning of the text. Most composers that have written settings of this Psalm 'Praise the Lord, all you Nations' have written music of a robust nature and celebration. However, this setting not only uses Hebrew text but the whole composition with the exception o…

Par BACH JOHANN SEBASTIAN. On the great feast days, the Magnificat was given at the evening service in Leipzig, following the sermon. Bach twice set this poem (Luke I, 46-55). One of these compositions, for solo soprano, has been lost. Of the other Magnificat, Bach composed his first version, In E-flat, with four inserted Christmas pieces, prepared for the evening service that holiday, 1723. His r…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

from La La Land. Par HURWITZ / PASEK / PAUL. Someone in the Crowd is a song from the hugely popular musical film La La Land. This artist-approved choral version has been arranged for soprano, alto and combined men's voices with a straight-forward piano accompaniment. It forms part of the Faber Choral Singles series and is ideal for choirs of any ability./ Recueil / Choeur Mixte (SATB) et Piano

Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos t…

Par BUBLE MICHAEL. Choir Rocks! Haven't Met You Yet by Michael Bublé from his album Crazy Love, is arranged for upper voices with piano accompaniment by Ben Parry.  Choir Rocks! Series offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments pe…

Partition classique pour chant Antonio Vivaldi: Gloria RV 589 Réduction pour piano Edition Urtext Voix pour soliste, chorale et orchestre (soprano solo I, soprano solo II, alto solo, ténor solo, basse solo, chorale mixte (SATB)) Niveau de difficulté moyennement élevé Publiée par Malcolm Bruno and Caroline Ritchie Arrangement de Malcolm Bruno ISMN 9790006538850, n° d'édition BA07674-90 Format: 19 x…

Partition de chant Jean-Sébastien Bach: Messe en Si mineur BWV 232 Réduction pour piano Edition Urtext de la NBArev de 2010 Voix pour soliste, chorale et orchestre (soprano solo I, soprano solo II, alto solo, ténor solo, basse solo, chorale mixte (SSATB)) Niveau de difficulté moyennement élevé à élevé Publiée par Uwe Wolf Arrangement d'Andreas Köhs ISMN 9790006539413, n° d'édition BA05935-90 Forma…

Partition de chant Edition Urtext Voix pour soliste, chorale et orchestre (soprano solo, mezzo-soprano solo, ténor solo, basse solo, chœur mixte (SATB)) Niveau de difficulté moyennement élevé Publiée par Marco Uvietta Arrangement d'Andrea Campora ISMN 9790006541591, n° d'édition BA07590-90 Format: 19 x 27 cm 154 pages En langue latine Avec rapport critique en langue anglaise / Bärenreiter

Par HALL ALEX. Suitable to be sung as an Evensong anthem, this is a very simple and practical setting for Keyboard and Voice - which might be a solo soprano or treble, or unison - of a Victorian children's hymn that can still be found in numerous contemporary collections. Its flowing, unforced melody is an ideal counterpart to Sabine Baring-Gould 's words which, like the poems of Robert Louis Stev…

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …

Par CAPPELLARI ANDREA. Arrangement and Orchestration by Andrea Cappellari. Full score and 16 instrumentals parts : 1) C Instr. (Recorder) / 1) C Instr. (Flute, Violin) / 1) Bb Instr. (Clarinet, Soprano Sax, Trumpet) / 1) Eb Instr. (Alto Sax) / 2) C Instr. (Recorder) / 2) C Instr. (Flute, Violin, Oboe) / 2) Bb Instr. (Clarioprano Sax, Trumpet) / 2) Eb Instr. (Alto Sax) / 3) C Instr. (Violin, Viola)…

Par L'ESTRANGE ALEXANDER (Arr.). The poignant words of The Last Rose Of Summer, by Thomas Moore, match this Irish song’s mournful, drooping melody. After a temporarily uplifting modulation for the third verse, where the men of the choir echo the melody two measures behind, the arrangement ends as it began – in a solitary mood, with an empty, bare fifth. This piece is part of the Faber Choral Sing…

REP16 BASSANO, BOVICELLI and others, Divisions on Io son ferito ahi lasso, for soprano instrument/voice and continuo. â?¬8.00

Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which a…