Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. …

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

A Practical Guide To Jazz Improvising For Strings. Par NORGAARD MARTIN. Jazz Fiddle Assistant est un livre/CD défini sur mesure pour les violonistes avancées qui veulent apprendre à improviser dans la tradition du jazz. Le livre contient des leçons de la pratique de la théorie, présentant des rythmes et des échelles qui sont immédiatement mis à profit. Concepts sont introduits progressivement, néc…

A revised 1977 edition of Schubert's Mass In G For soprano, tenor and bass soli, SATB chorus, strings and organ. Optional wind and timpani. / Chant/Vocal/Choeur

This Simple Symphony is entirely based on material from works which the composer wrote between the ages of nine and twelve. (The actual sources are given in footnotes to each movement.) Although the development of these themes is in many places quite new, there are large stretches of the work which are taken bodily from the early pieces - save for the re-scoring for strings. It is suitable for st…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: 2.0.2.0-2.0.0.0-strings - Durée: 4' - Langue: French - Format: New Edition portrait/ Répertoire / Baryton et Orchestre

So you want to play rock solos improvise like a real pro? This book will show you how, fast! First learn a few basics: which scales and chord patterns to use, the importance of correct phrasing, chord changes, string-bending and slides. Discover how open strings can create a much fuller sound, then experiment with hammer-ons, pull-offs and different chordal/arpeggio ideas. Riffs and licks are incl…

zur Symphonia Domestica. Par STRAUSS RICHARD. Détails de la formation instrumentale: 2.2.corA.2.b Clarinette 2.dbn-4.2.3.1-timp-harp-strings - Durée: 18' -/ Répertoire / Piano (Main Gauche) et Orchestre

Par SCARLATTI ALESSANDRO. Fl - Strings - Basse Continue - Durée: 11/ Répertoire / Parties Orchestrales

Par CAMPOGRANDE NICOLA. The score is inspired by the urban gardens that are becoming a new, exciting presence in our cities. In such a setting I imagined the piano as an urban memory and the string trio as a green, vegetal presence that surrounds it. Doing that, I created in my mind three special places to develop the different movements of the score. The first is indeed ideally On a Concert Hall …

Par GILEWITZ RICHARD. Direct from the master of guitar clinics, this 96-page book contains a plethora of topics based on Richard Gilewitz\'s experience of conducting fingerstyle guitar and sound seminars for nearly a decade in a variety of settings worldwide. Sections are built around the most frequently asked questions from players of all ages and skill level, with topics supported by written exp…

All the exercises in Killer Technique - Classical Guitar are either based on or inspired by challenging passages and patterns that appear in compositions. Technical elements and passages have been stripped down and transformed into exercises to help the reader concentrate on specific targets through repetition. The exercises cover various techniques, such as finger independence in both hands, diff…

Hawkes Pocket Scores HPS 1137. Par REICH STEVE. Détails de la formation instrumentale: 3.3.0.0-0.3.3.1-2 Pianot-3elec.organ-strings - Durée: 21' -/ Répertoire / Instruments à Vent, Cordes et Claviers

Par PEPIN CAMILLE. Lorsque l'on m'a proposé de mettre en musique ce recueil de poèmes de James Joyce (1882-1941), j'ai été immédiatement séduite par l'idée. Il s'agissait de mettre en musique ces poèmes en respectant l'ordre original selon lequel ils ont été conçus par James Joyce lui-même lors de la première édition de 1905 [1]. Avec la précieuse aide de Philippe Blanchon [2], j'ai choisi de mett…

Par MACKAY NEIL. Strings/ Feuillet / Violon