Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and …

Office Du Matin. Par VIOTTI GIOVANNI BATTISTA. Détails de la formation instrumentale: 1.2.2.2-1.2.0.0-timp-strings - Durée: 27' - Format: New Edition portrait/ Répertoire / Violon et Orchestre

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Par STEPTOE ROGER. Strings/ Répertoire / Quatuor à Cordes

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Hawkes Pocket Scores HPS 610. Par STRAVINSKY IGOR. Détails de la formation instrumentale: 3(III=picc).2.corA.3(II=Eb Clarinette,III=bcl).2-4.2.3.1-timp-string quartet-strings - Durée: 17' -/ Répertoire / Piano et Orchestre

Par TELEMANN GEORG PHILIPP. Hautbois - Strings - Basse Continue - Durée: 8/ Répertoire / Parties Orchestrales

Kantate Zum Sonntag Palmarum. Par TELEMANN GEORG PHILIPP. This cantata belongs to the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn' printed in 1744, from which the “Biblische Sprüche' [see p. 12] are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the opt…

Par VIVALDI ANTONIO. Violon Solo - Strings - Basse Continue - Durée: 9/ Répertoire / Conducteur

Quatuor A Strings. Par BOULEZ PIERRE. / Répertoire / Quatuor à Cordes

The Fairy Queen (Full Score). Par PURCELL HENRY. Purcell Society Edition #12. The Fairy Queen In Full Score. The drama adapted from Shakespeare's A Midsummer Night's Dream . The work may be perfomed with a minimum of five soloists: Soprano I, Soprano II, Alto or countertenor, or Tenor, Tenor, Bass. The orchestral scoring consists of two recorders, two oboes, two trumpets, timpani, strings and cont…

Version for Cello and Strings. Par SAINT-SAENS CAMILLE. / Date parution : 2022-11-29/ Répertoire / Violoncelle

Riduzione Per Oboe E Pianoforte. Par VIVALDI ANTONIO. Antonio Vivaldi's Concerto In D minor F. VII No. 1 for Oboe with a Piano reduction of the original Strings and Continuo parts, transcribed by Angelo Ephrikian./ Répertoire / 2 Cors Anglais et Pianoforte

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

These favorite Irish tunes have been arranged in sections of varying difficulty to provide material for beginning to advanced students. The first section of each arrangement is the easiest to play, with one or two more advanced sections following. Beginning students should be able to play the first section of these arrangements to produce a satisfying fingerstyle solo, while advanced players shou…