Aiolos - God of the Wind. Par KNOCKAERT PETER. Cette ouverture a été initialement conçue comme la pièce d'ouverture de la Wind Symphony, composée de quatre parties évoquant les quatre personnages des quatre anciens dieux des points cardinaux. Dans la mythologie grecque, Éole était le gardien divin des vents et aussi le roi de l'île flottante mythique d'Aiolia. Il gardait les vents (Borée, le vent …

from The Wild Swans Suite. Par KATS-CHERNIN ELENA. Eliza’s Aria is a classical aria from the ballet Wild Swans, composed by Uzbekistan composer Elena Kats-Chernin. The piece was first recorded by soprano Jane Sheldon and the Tasmanian Symphony Orchestra, and released on the ABC Classics label. This recording was subsequently used in the 2007 Lloyds TSB “For the Journey” television and cinema adver…

SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British …

Par IGUDESMAN ALEKSEY. Brace yourselves, Beethoven lovers and purists everywhere; here is the famous Fifth Symphony as you never dared to imagine it! In “Beethoven Takes Five”, Aleksey has changed the meter to an audacious 5/4… but that’s just the beginning of his machinations! He throws in Mexican music, latin, swing and jazz and, in his own words, “all sorts of other abominations on top”. The re…

Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered…

Stringsets. Par BRITTEN BENJAMIN. Benjamin Britten's last completed composition, Welcome Ode was originally written for school choir and orchestra. The three movements - Jig, Roundel and Canon, here transcribed for strings (score and parts), form the Welcome Suite which ensembles familiar with Britten's earlier Simple Symphony will find equally challenging and rewarding./ Répertoire / Cordes

Fassung für Sinfonieorchester. Par FAURE GABRIEL. Version for symphony orchestra: 60 min; Church version: 35 min / Requiem / Répertoire / Solistes SBar, Choeur SATB, 2 Flûtes Traversières,

for F Horn Solo & Piano. Par SAMITZ NICO. This set also includes a Eb Horn solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative m…

Fassung für Sinfonieorchester. Par FAURE GABRIEL. Version for symphony orchestra: 60 min; Church version: 35 min / Requiem / Répertoire / Solistes SBar, Choeur SATB, 2 Flûtes Traversières,

Fassung für Sinfonieorchester. Par FAURE GABRIEL. Version for symphony orchestra: 60 min; Church version: 35 min / Requiem / Répertoire / Solistes SBar, Choeur SATB, 2 Flûtes Traversières,

Fassung für Sinfonieorchester. Par FAURE GABRIEL. Version for symphony orchestra: 60 min; Church version: 35 min / Requiem / Répertoire / Solistes SBar, Choeur SATB, 2 Flûtes Traversières,

Par VAUGHAN WILLIAMS RALPH. Durée: 34', Format: ETP small/ Répertoire / Orchestre

Wagenseil, Sinfonia in A. Par WAGENSEIL GEORG CHRISTOPH. No. 3 : Wagenseil, Symphony In A/ Répertoire / Violon 2 (Partie Séparée)

Excerpts from Symphony no. 1. Par DE MEIJ JOHAN. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par GUILLOU JEAN. As its title indcates, this is a miniature symphony, its structure compacted as much as possible. The classical form is respected, dwon to the smallest details, so that the various development sections lead to a recapitulation of the two themes and to a more asservative conclusion. Throughout the work the style is extremely sparse and straightforward. The nostalgia expressed by t…