Par HOSAY JAMES L.. This regal and stately fanfare-opener is a sterling new offering for band. Sixteen opening bars of thrilling fanfare lead inexorably to a theme expressing dignified momentum. Frequent but simple meter changes help to make this an interesting and educational piece that both the band and the audience will enjoy. A recap of the opening fanfare brings the piece to an exciting finis…

Par HOSAY JAMES L.. This regal and stately fanfare-opener is a sterling new offering for band. Sixteen opening bars of thrilling fanfare lead inexorably to a theme expressing dignified momentum. Frequent but simple meter changes help to make this an interesting and educational piece that both the band and the audience will enjoy. A recap of the opening fanfare brings the piece to an exciting finis…

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in thes…

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use …

Medium Voice. Par IRELAND JOHN. The Complete works for Medium Voice and Piano, by John Ireland. This second volume contians eighteen terrific settings of some real masterpieces! Set for the Associated Board and Guildhall School examinations. / Niveau : Moyen / Répertoire / Chant et Piano

Par TAILLEFERRE GERMAINE. A cycle of songs from the Les Six composer setting French texts from the fifteenth and seventeenth centuries. This version for voice and piano from 1930 follows the version for voice and orchestra from 1929. This is regarded as Tailleferre's most feminist work, the poems addressing the difficulties experienced by women, especially marital and affairs of the heart, and per…

Par DUPARC HENRI. We know Henri Duparc for only a small number of art songs he composed between 1868 and 1884, but his musical legacy is a rare one. Settings of works by Baudelaire, Leconte de Lisle, are masterworks of sensuous beauty, rich in emotion, artfully conveying the poetic atmosphere of their texts. Included in this one volume are all Sixteen songs and one duet, reprinted from authoritati…

Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) The Masquerade Is Over, (Love Is) The Tender Trap52nd Street Theme, A Ballad, A Blossom Fell, A Cottage For Sale, A Flower Is A Lovesome Thing, A Lovely Way To Spend An Evening, A Nightingale Sang In Berkeley Square, A Portrait Of Jenny, A Taste Of Honey, A Walkin' Thing, A Weaver Of Dreams, A Wonderful Day Like TodayAbl…

Sung in unison, two, three, and eventually four-part round, this beautiful melody was penned by sixteenth century master of polyphony Thomas Tallis. An excellent teaching piece, the lyrical tune (set with an original winter text) sits so well in the voice. As a special touch, phrases from 'In the Bleak Midwinter? are artfully woven throughout. / Choeur SAB

As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in …

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

We live in a world of endless Guitar shredding, players tearing up down and across the fret board at mind boggling speeds. There comes a certain excitement and respect for this ability but sometimes one wonders what ever happened to the classic tasty lick of days gone by. Guitar players would catch your ear with beautiful melodic phrases that would have you reaching for your handkerchief.I have en…