Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the mu…

Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the mu…

Par CORP RONALD. Both as composer and conductor, Ronald Corp is steeped in the English choral tradition, and in A Spotless Rose he has traversed by his own path the hallowed ground of words immortalised by Herbert Howells. Corp’s own music, chordal yet contrapuntal, and likewise redolent in its modality of a distant past ‘of ancient seers’ foreshowing’, flows smoothly in flexible rhythm, each voic…

Par L'ESTRANGE ALEXANDER (Arr.). English song in the first half of the twentieth century was largely defined by the wonderful output of Roger Quilter and Gerald Finzi, both of whom delighted in setting fine poetry by Wordsworth, Shakespeare and others. She Walks in Beauty was inspired by these two composers, with a particularly musically evocative and colourful text by Byron and a glorious new mel…

Par CORP RONALD. Among the UK's most noted choral composers and conductors, Ronald Corp does not hesitate to bring his own musical vision to a much-loved poem by the sixteenth-century lutenist songwriter and 'Doctor of Physick' Thomas Campion, following the example not only of Campion himself but also of Charles Wood and Hubert Parry. Eschewing the manner of Parry's resonant polyphony for a simple…

Recueil de 14 pièces pour guitare pour débutantDanse du coyoteEn berçantRêverieAu villageLa danse des manchotsLe vieux châteauLe deuxième acrobateEn el PatioBluesetteGrand chef indienSurprise- partieEn suivant la rivièreSur la route de ManhattanEphémère / Guitare

/ Orchestre

Recueil de 132 pièces progressives pour guitare seule.

'Premiers pas sur le piano' est l'une des séries les plus populaires deLe catalogue est constitué de souvenirs et de collections de transcriptions pour piano facilitée- Les deux issus du répertoire de la musique classique est celui de la musique légère - guéride deux enseignants populaire, et Sauro franco silos Concina. La série 'First Steps' estpréparatoire à la 'Progrès sur le piano', composé au…

Description Bb Edition. The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the f…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…