Ed. F. Zigante - Pour Guitare - For Guitar - Para Guitarra - Per Chitarra. Par BROUWER LEO. Written in 1962 by a brilliantly imaginative Leo Brouwer at the age of only twenty-three, the Tres piezas latinoamericanas are published here together for the first time under the Eschig imprint in an edition based on the composer's autograph manuscripts. The Tres piezas belong to a musical genre between ac…

Par BACH JOHANN SEBASTIAN. This edition offers transcriptions for guitar edited by Frédéric Zigante of J. S. Bach’s entire works for lute and his famous Chaconne. This is a practical publication for both students and teachers at conservatories and music schools. Texts are in French, Italian and English. / Date parution : 1905-07-04/ Répertoire / Luth

Couverture Rigide. Par GADE NIELS WILHELM. The four works presented in this volume – 'Frühlings-Phantasie” op. 23, 'Frühlings-Botschaft” op. 35, 'Die heilige Nacht' op. 40 and „ Beim Sonnenuntergang' op. 46 – were composed between 1852 and 1870. All of these works belong to the 'concert piece” genre, as the title pages of the respective first editions suggest. The works' instrumentation is varied…

Par RAVEL MAURICE. Ravel brought to the art of the song that distinctive fusion of classicism and the modern spirit that characterized all his musical works. This superb collection includes many of his most admired and performed songs and song cycles. Reprinted from authoritative French editions and with new English translations of the original French texts. Edited by Arbie Orenstein./ Répertoire …

Par CARDILLO-FIELD. Neapolitan Serenade with English, Italian and Neopolitan texts. English translation by Gracie Fields. This Version is arranged in E-flat. / Classique / Répertoire / Chant et Piano

Par CURNOW PAUL. A Scottish Hymn is a chorale arrangement of a hymn composed by Charles Hutcheson, a Scottish merchant and amateur composer who lived from 1792 to 1860. This hymn was given the title “Stracathro, ” a typical Scottish name after a town in the district Angus. The melody is used with various hymn texts in the Scottish church. / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made i…

Par TAVERNER JOHN. SATBB unaccompanied Latin and English texts. Edited by E H Fellowes./ Répertoire / SATB a Cappella

Romantische Opera in three acts. Par SCHUBERT FRANZ. Alfonso und Estrella D 732 Romatic Opera in 3 Acts In late September or early October 1821 Schubert and his close friend, Franz von Schober, vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle, which belonged to the Bishop of St. Pölten (a close relative of Schober’s), after which they moved on to St. Pö…

In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months b…

Par SUK JOSEF. First scholarly-critical edition The single-movement String Quartet #2 by Josef Suk (1874-1935) was written at the height of his compositional powers. Completed in Krecovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience. Now Zdene…

Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from ap…