Par MERCADANTE SAVERIO. The aim of the present critical edition of the Concertos for flute by Saverio Mercadante is to give performers and scholars access, finally, to this important body of concertos, in a complete and coherent way. In addition, the introduction attempts to describe how the composer fits into the historical context of his time. / Date parution : 2025-01-21/ Répertoire / Flûte Tra…

Par WILLIAMS JOHN. This new string orchestra arrangement by James Kazik captures all the wonder (and waggish humor) of the hit 1990 movie Home Alone. Retaining many of the quirky rhythms and chromaticism of the original, this arrangement will provide opportunities for your students to grow and develop in the context of this fun and accessible medley. / Date parution : 2023-01-24/ Répertoire / Orch…

Par ZIMMERMANN BERND ALOIS. With this edition, Schott publishes the early two-movement string quartet by Bernd Alois Zimmermann for the first time. In a letter the composer wrote: 'I am still messing around with my quartet. This probably is the most concentrated work of composition - and the most abstract.' The string quartet belongs within the context of his early works which focussed on chamber …

This step-by step guide will help you develop the skills essential for a stylistic performance. The hands-on instruction presents information on patterns, grooves, rhythms, keyboard instrumentation, and much more. Gospel stylings are discussed in detail, as is the role of the keyboard both as a solo instrument and in the context of an instrumental ensemble. You'll learn how to play intros, how to …

Vocal Score. Par ROSSINI GIOACHINO. In the days just before the Christmas of 1816, Rossini was still looking for the subject and the libretto for an opera that he was contractually obliged to stage at the Teatro Valle in Rome in just over a month's time. Jacopo Ferretti proposed a libretto he had himself written based on the famous fairytale by Perrault, Cinderella. Rossini composed the opera in l…

Recueil de partitions 17 sonates de Ludwig van Beethoven pour piano solo Édité par Bertha Antonia Wallner Doigté par Conrad Hansen Sonates pour piano Volume 2 Texte original Niveau de difficulté: intermédiaire à élevée Format: DIN A4 330 pages ISMN 979-0-2018-0034-9, éditeur n°: HN34 / Henle Verlag

nach Texten von Maurice Maeterlinck. Par ZEMLINSKY ALEXANDER. Two of Zemlinsky's representative songs from the early 20th century are presented here by editor Clytus Gottwald: Als ihr Geliebter schied, Op. 13 No. 4, and Und kehrt er einst heim, Op. 13 No. 5, in a transcription for five voices or chorus. Gottwald chose these as a logical pair, both dealing with 'parting and returning in vain,' yet …

Béla Bartók Complete Critical Edition Volume 38. Par BARTOK BELA. The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Su…

Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…

Par JANACEK LEOS. One of Leos Janàcek 's last chamber music works was written in the autumn of 1926 at the suggestion of the pianist Otakar Hollmann (1894& 1967), an invalid from the First World War. Like his contemporary Paul Wittgenstein, Hollmann urged composers to write something for Piano left hand; he succeeded in winning over Bohuslav Martinu, Erwin Schulhoff and Janàcek to do this. Janàcek…

Par RAVEL MAURICE. Ravel’s plans for a piano concerto can be traced back to 1906, but it was only in early 1929 that the composer seriously started work on one. He later stated that he wrote it “in the spirit of the concertos by Mozart and Saint-Saëns”, the music being “cheerful and brilliant” and not “aiming for profundity or dramatic effects”. The outer movements are characterised by rhythmic dr…